Disclosure: This article contains affiliate links. If you make a purchase after clicking one of these links, I earn a small commission at no extra cost to you. You can learn more about this in my disclosure policy.
Are you looking for the best lenses for Sony a7III but aren’t sure where to start? Here are the absolute best Sony a7III lenses for all kinds of photography, from portraits to wildlife.
The top tips in this guide are based on my 15+ years of experience as a pro photographer.
There’s literally an ocean of lenses that are compatible with the Sony a7III, so in this guide, I’ll help you figure out which ones are most suited for your interests and needs.
Before we go into details, though, here’s our top pick for the best all around lens for Sony a7III.
 OUR TOP PICK | Tamron 28-75mm F2.8 A top-value everyday lens that's lightweight, beginner-friendly, versatile, and impressively sharp. It can shoot everything from portraits and landscapes to starry skies. |
CHECK PRICE ON AMAZON📸 The Best Sony a7III Lenses: A Quick Overview
This guide covers a lot of lenses, so here’s a quick summary of our absolute top picks. These lenses cover all kinds of photography, and you can find their detailed reviews further down.
🔍 The Best Zoom Lens for Sony a7III
A zoom lens allows the camera to smoothly change from a long shot to a close-up (or vice versa) by varying the focal length. Zoom lenses are great for casual everyday shots as well as travel photos as they’re very flexible and allow you to shoot from varying distances.
 BEST ZOOM LENS | Tamron 28-200mm F2.8-5.6 This powerful superzoom is a wide-angle, standard zoom, and telephoto lens all at once. It's the most travel-friendly and affordable all-in-one lens for Sony a7 cameras. |
See more best Sony a7III zoom lenses
👧🏻 The Best Portrait Lens for Sony a7III
The best portrait lenses are prime lenses with a focal length of 85mm or longer. These lenses have very wide apertures, allowing you to create stunning bokeh, a shallow depth of field, and better subject-background separation — all of which would enhance your portraits.
 BEST PORTRAIT LENS | Sony FE 85mm F1.8 A spectacularly sharp, fast, and portable prime lens that delivers stunning bokeh and premium image quality. A must-have for anyone serious about portraits. |
See more best Sony a7III portrait lenses
🏞 The Best Wide Angle Lens for Sony a7III
Ever seen a scenery so grand that it just does not fit into your frame? That’s what wide-angle lenses are for. These lenses have a maximum focal length of 35mm and are perfect for capturing wide landscapes, grandiose architecture, and close everyday surroundings.
 BEST WIDE-ANGLE LENS | Sony FE 16-35mm F2.8 GM The ultimate wide-angle lens for the best image quality. It has a flexible focal range, is razor-sharp, performs well in low-light situations, and creates stunning bokeh. |
See more best Sony a7III wide angle lenses
🎥 The Best Video Lens for Sony a7III
Good video lenses should have a fixed aperture for smooth transitions and a wide max aperture (f/2.8 or wider) for beautiful bokeh and low-light performance. If you’re planning to vlog, go for a wide-angle lens with a minimum focus distance of around 0.30 m (1 ft) or less.
 BEST VIDEO LENS | Sony FE 28mm F2.0 An ultra-fast, budget-friendly, and portable lens that takes incredible videos and vlogs. It delivers super sharp results, stunning bokeh, and great low-light performance. |
See more best Sony a7III video lenses
⚙️ The Best Prime Lens for Sony a7III
A prime lens has a fixed focal length (e.g. 50mm rather than 17-50mm), and typically, an aperture of f/2.8 or wider. This essentially makes it a bokeh king. For this reason, prime lenses are most commonly used for portraits, but are also very useful for videos and everyday shots.
 BEST PRIME LENS | Sony FE 135mm F1.8 GM One of the sharpest lenses Sony has ever made. With this prime lens, you'll never have to sharpen photos in post-processing again. Bokeh is also super smooth and creamy. |
See more best Sony a7III prime lenses
🐝 The Best Macro Lens for Sony a7III
Macro lenses allow you to get incredibly detailed close-ups of microscopic subjects, such as insects, flowers, and water droplets. These specialized lenses can focus extremely close to a subject so that it appears large in your photo, and every tiny detail can be seen.
 BEST MACRO LENS | Sony FE 90mm F2.8 Macro G OSS This specialized macro lens is super user-friendly, versatile, and one of the sharpest Sony lenses out there. It's perfect for close-ups of tiny subjects and doubles as a portrait lens, too. |
See more best Sony a7III macro lenses
✈️ The Best Travel Lens for Sony a7III
If you’re looking to travel with your Sony a7III, you’ll want a small and lightweight lens that’s easy to carry. A versatile zoom range will also come in handy if you want to shoot a variety of things. If you want to capture starry nights or architecture, consider a low-light lens too.
| BEST TRAVEL LENS | Tamron 28-200mm F2.8-5.6 This lightweight and travel-friendly lens combines wide-angle and telephoto reach, taking away the need to switch between multiple lenses. It's also incredibly sharp and weather-resistant. |
See more best Sony a7III travel lenses
🦉 The Best Telephoto Lens for Sony a7III
Telephoto lenses are typically used to shoot wildlife, sports, and other far-away subjects. They also allow you to zoom in on landscapes to capture creative perspectives. Telephoto lenses typically have a minimum focal length of 70mm and can go up to 600mm or more.
 BEST TELEPHOTO LENS | Sony FE 70-200mm F2.8 GM OSS The ultimate telephoto lens for image quality, bokeh, and low-light performance. This lens is ultra-sharp and perfect for shooting indoor events like sports and stage performances. |
See more best Sony a7III telephoto lenses
🏜 The Best Landscape Lens for Sony a7III
If you’re looking to shoot landscapes, consider a wide-angle lens as it will help you frame more of the scenery and create majestic-looking shots. A low-light lens with a fixed aperture might also come in handy, especially if you want to shoot dark starry skies.
 BEST LANDSCAPE LENS | Sigma 14-24mm F2.8 DG DN Art An incredibly sharp super-wide-angle lens that's perfect for both landscape shots and astrophotography. It boasts spectacular image quality and a weather-sealed build. |
See more best Sony a7III landscape lenses
⚙️ What is the Sony a7III Lens Mount?
Before we look at each individual lens, it’s important to know the types of lenses compatible with Sony a7III as well as the Sony a7III mount type.
The Sony a7III is a full-frame mirrorless camera with a Sony E-mount, which means any FE (full-frame) lens with a Sony or third-party E-mount is compatible with this camera.
The lenses in this guide are also compatible with any Sony mirrorless full-frame camera, not just the Sony a7III E-mount.
Now that we know the Sony a7III lens mount type, let’s take a closer look at the must-have lenses for Sony a7III.
📷 The Best Lenses for Sony a7III in 2025: Reviews
📸 Please note: As you go through the lenses in this guide, you’ll see that some lenses provide no image stabilization. This isn’t an issue at all and won’t affect image quality because the Sony a7III already has built-in image stabilization.
⭐ Best All-Around Lens: Tamron 28-75mm F2.8 ⭐
A top value everyday zoom lens that’s lightweight, versatile, and impressively sharp
Lens type: Full frame E-mount
Weight: 540 g (19 oz.)
Size (WxL): 7.5 x 11.7 cm (2.9 x 4.6 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 0.18 m (0.59 ft)
Maximum magnification ratio: 0.34x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
If you only had one lens to pick, then let it be the Tamron 28-75mm f/2.8 Di III VXD G2. It’s the perfect entry-level lens for everyday shots and is very beginner-friendly too.
This lens is very lightweight and compact, making it perfect to travel with. Plus, its versatile zoom range allows you to shoot everything from landscapes, portraits, and close-ups to a sky full of stars. It’s an incredibly multi-purposeful lens.
If you’re a fan of out-of-focus backgrounds, then this lens is for you. It delivers stunning bokeh, works amazingly in low light conditions, and shoots great videos too.
Throughout the whole zoom range, you’ll get very impressive sharpness and fantastic image quality. Distortion is very well-controlled and autofocus is very fast, accurate, and quiet.
While there’s some color fringing and vignetting when shooting wide open, you can easily fix these things in your camera or via post-processing.
Overall, it’s truly hard to find an everyday zoom lens that offers better value for money given this lens’s top-notch performance, travel-friendliness, and reasonable price.
Pros
- Impressively sharp
- Very multi-purposeful
- Lightweight & compact
- Excellent low-light performance
Cons
- Some vignetting wide-open
- Some color fringing
📸 In short, this lens is for you if: you’re looking for a travel-friendly and affordable everyday zoom lens that doesn’t compromise on image quality and performance.
📸 Best Everyday Zoom Lenses for Sony a7III
While the Tamron 28-75mm f/2.8 is our top pick, there are many other fantastic Sony a7III zoom lenses out there. Here are our other top choices.
💎 Top Value Pro Zoom Lens: Sigma 24-70mm F2.8
The best value professional zoom lens for those who value image quality over weight
Lens type: Full frame E-mount
Weight: 830 g (29 oz.)
Size (WxL): 8.7 x 12.4 cm (3.4 x 4.8 in)
Filter diameter: 82 mm (3.2 in)
Minimum focus distance: 0.18 m (0.59 ft)
Maximum magnification ratio: 0.34x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Sigma 24-70mm f/2.8 DG DN Art is a great alternative to the above-mentioned Tamron 28-75mm f/2.8 if you don’t mind a heavier lens in exchange for even better image quality.
📸 Which lens to choose: If you shoot for fun and value travel-friendliness, then go for the Tamron 28-75mm f/2.8. But if you’re looking for a more professional option and want the utmost image sharpness and the smoothest bokeh, then go for this heavier Sigma lens.
Compared to the Tamron 28-75mm f/2.8, this Sigma lens has a more robust build and delivers even sharper results. Additionally, it’s an even better lens for videos as it allows you to switch focus much more smoothly while filming.
This Sigma lens also delivers smoother and rounder bokeh than the Tamron 28-75mm f/2.8. Because of all these advantages, this lens is a little bit pricier than the Tamron lens.
On the downside, this lens is significantly heavier. There’s also vignetting and barrel distortion, although they can be easily fixed in-camera or via post-processing.
Overall, the Sigma 24-70mm f/2.8 DG DN Art offers fantastic value for money as it is priced very reasonably and truly offers all-around top-notch image quality.
Pros
- Utmost sharpness & image quality
- Incredibly smooth bokeh
- Professional video quality
- Excellent low-light performance
Cons
- Pretty heavy
📸 In short, this lens is for you if: you don’t mind an everyday zoom lens that’s a bit heavy because you want the utmost image quality and top-notch professional results.
🚀 The Fastest Pro Zoom Lens: Sony 24-70mm F2.8
The zoom lens with the fastest autofocus performance — ideal for weddings & events
Lens type: Full frame E-mount
Weight: 886 g (17.4 oz.)
Size (WxL): 8.7 x 13.6 cm (3.4 x 5.3 in)
Filter diameter: 82 mm (3.2 in)
Minimum focus distance: 0.38 m (1.2 ft)
Maximum magnification ratio: 0.24x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Sony FE 24-70mm f/2.8 GM is significantly pricier than the above-mentioned Sigma 24-70mm f/2.8 and Tamron 28-75mm f/2.8. It’s also the heaviest and bulkiest lens of the three. So why should you get it, then?
Simple: it has the fastest and most accurate autofocus performance out of the three.
In fact, the Sony 24-70mm f/2.8 is the best everyday zoom lens for you if you don’t want to risk missing a single shot. It’s especially worth the investment if you’re a professional wedding or event photographer who can’t afford to miss any important fleeting moments.
Compared to the Tamron and Sigma lenses mentioned above, this Sony lens also has the best flare resistance and the best control over vignetting when shooting wide-open.
When it comes to sharpness, this Sony lens is the sharpest of the three around the corners of the frame, while the Sigma lens performs the best on central sharpness. The Sigma lens also achieves smoother bokeh than this Sony lens, although the difference is minimal.
Both this Sony lens and the Sigma 24-70mm f/2.8 have better build quality than the Tamron 28-75mm f/2.8, which is another reason why they’re pricier.
Pros
- The fastest & most accurate autofocus
- Ultrasharp even wide-open
- Excellent low-light performance
- Amazing for weddings and events
Cons
- Pretty heavy
- Pretty pricey
📸 In short, this lens is for you if: you have a big budget and want the absolute best autofocus performance to shoot fast-moving situations like weddings and events.
✨ Premium Superzoom Lens: Sony FE 24-105mm F4
A versatile, travel-friendly lens with a mighty zoom range and premium image quality
Lens type: Full frame E-mount
Weight: 663 g (23.4 oz.)
Size (WxL): 8.3 x 11.3 cm (3.2 x 4.4 in)
Filter diameter: 77 mm (3 in)
Minimum focus distance: 0.38 m (1.25 ft)
Maximum magnification ratio: 0.31x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here
A closer look:
The Sony FE 24-105mm f/4 G OSS is a very versatile lens with generous wide-angle coverage and a mighty telephoto reach. It’s a fantastic lens to travel with as it takes away the need to carry and switch between different lenses. It is also decently lightweight given its focal range.
This lens is part of the Sony G series, which means it delivers top-notch professional image quality. In fact, it is spectacularly sharp edge-to-edge throughout the whole zoom range, even when shooting wide open.
The only lens that can rival its image quality is the previously mentioned Sony 24-70mm f/2.8, which is heavier, much more expensive, and offers less focal reach.
This lens also has a premium build and is equipped with a very fast, accurate, and silent autofocus. Its wide focal range allows you to shoot pretty much everything from landscapes and portraits to mild wildlife shots.
Keep in mind that its f/4 aperture makes it less of a low-light performer than the previously mentioned f/2.8 zoom lenses. Bokeh also isn’t as smooth as it is on those f/2.8 lenses.
This lens isn’t cheap, and when shooting wide-open, there’s some vignetting (however, this can be easily fixed on Adobe Lightroom). Overall, this lens offers excellent value for money.
Pros
- Super versatile & useful focal range
- Premium-level image quality
- Extremely sturdy & weather-sealed
- Pretty lightweight for its focal range
Cons
- Not superb in low light
- Not cheap
📸 In short, this lens is for you if: you want a lens with both wide-angle and telephoto capabilities, and value professional-level image quality and premium build.
🔭 Top “Do-It-All” Lens: Tamron 28-200mm F2.8-5.6
A very multi-purposeful lens that combines telephoto reach and travel-friendliness
Lens type: Full frame E-mount
Weight: 575 g (20 oz.)
Size (WxL): 7.4 x 11.7 cm (2.9 x 4.6 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 0.19 m (0.62 ft)
Maximum magnification ratio: 0.32x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
If you want a lens that can “do it all”, then look no further than the Tamron 28-200mm f/2.8-5.6 Di III RXD. This powerful multipurpose lens is essentially a wide-angle, standard zoom, and telephoto lens all at once. On top of that, it’s also very lightweight and compact.
With this beginner-friendly lens, you can capture basically everything. It’s suitable for portraits, landscapes, wildlife, and detailed close-ups (it has some macro capability too).
Moreover, this lens is very travel-friendly as its mighty zoom range takes away the need to carry and swap between different lenses. It also has a fast and virtually silent autofocus.
The best thing about this lens is that it delivers high-end image quality and very impressive levels of sharpness throughout the entire zoom range. This is rare in superzoom lenses!
This lens also has a tough and weather-resistant build, and keeps distortions and color fringing at a minimum. Its only downside is its lack of a fixed aperture, which doesn’t make it as suitable for videos or low-light shots as the other zoom lenses mentioned above.
Compared to the other zoom lenses mentioned above, it also has less wide-angle potential.
Pros
- Impressively sharp image quality
- Lightweight & travel-friendly
- Super multi-purposeful & versatile
- Very reasonably priced – top value
Cons
- Aperture isn’t fixed (not as ideal for videos as the other zoom lenses)
- Less wide-angle potential compared to other zoom lenses mentioned above
📸 In short, this lens is for you if: you want a very mighty zoom range to shoot everything from landscapes to wildlife, and want the most lightweight and affordable option.
💸 Best Budget Lenses for Sony a7III
Let’s face it, the Sony a7III is not the cheapest camera, so it might be a good idea to pair it with some high-quality budget lenses if shelling out more money doesn’t sound appealing to you. Here are the absolute best budget lenses for the Sony a7III.
💸 Best Budget Everyday Lens: Sony FE 50mm F1.8
An incredibly portable lens great for everyday shots, casual portraits & low light
Lens type: Full frame E-mount
Weight: 186 g (6.6 oz.)
Size (WxL): 6.8 x 5.9 cm (2.6 x 2.3 in)
Filter diameter: 49 mm (1.9 in)
Minimum focus distance: 0.45 m (1.48 ft)
Maximum magnification ratio: 0.14x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Sony FE 50mm f/1.8 is a very small budget-friendly lens that’s perfect for casual everyday shots. Weighing only 186 g (6.6 oz.), it’s also super portable and travel-friendly.
This lens has amazing edge-to-edge sharpness at every aperture. Its wide aperture will also help you get spectacular bokeh as well as amazing photos in low-light situations.
On top of that, this lens has no distortions as well as great flare and ghost control. Given its very affordable price and excellent performance, it truly offers incredible value for money.
The focal length and wide aperture of this lens will allow you to take amazing casual portraits, too. However, if you’re serious about portraits, check out the Sony FE 85mm f/1.8 as well — it’s an even better budget portrait lens for the Sony a7III.
Because of its low price, the biggest downside of this lens is that its autofocus is quite slow and noisy. It’s definitely not the best lens for those of you who want to catch every fleeting moment and shoot very quickly.
If you prefer a budget lens that focuses faster, I recommend checking out the Sony FE 28mm f/2.0 mentioned below — it’s great for everyday and landscape shots.
Pros
- Very small & portable
- Impressive edge-to-edge sharpness
- Excellent low-light performance
- Very budget-friendly
Cons
- Slow autofocus speed
- Slightly noisy autofocus
📸 In short, this lens is for you if: you want an incredibly portable and budget-friendly lens for everyday shots and casual portraits.
💸 Best Budget Wide Angle Lens: Sony 28mm F2.0
A very lightweight & travel-friendly lens perfect for landscape & architecture shots
Lens type: Full frame E-mount
Weight: 200 g (7.1 oz.)
Size (WxL): 6.4 x 6 cm (2.5 x 2.3 in)
Filter diameter: 49 mm (1.9 in)
Minimum focus distance: 0.29 m (0.96 ft)
Maximum magnification ratio: 0.13x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
🔮 Also chosen as: The Best Vlogging Lens for Sony a7III
The Sony FE 28mm f/2.0 is a very lightweight and travel-friendly budget lens that’s especially good for landscape and architecture shots thanks to its wide focal length. Given its low price, it also offers fantastic value for money.
This lens has an excellent build quality and central sharpness, which is very impressive even wide-open. Autofocus is ultrafast, accurate, and essentially silent. Focusing manually is also very easy; you can do so with just a fingertip.
Moreover, this lens is very fast and produces great results even in low light, allowing you to capture beautiful starry night photos. You’ll also get gorgeous bokeh thanks to the wide aperture of this lens.
This lens has great flare & ghost control and very minimal distortions. The only downside is that the edges are a bit soft when shooting wide open, and you’ll need to stop down to about f/11 to achieve amazing corner sharpness.
Chromatic aberrations are also quite high especially towards the corners of the frame when shooting wide open. Stopping down to about f/4 will get it under control, though.
Pros
- Lightweight & travel-friendly
- Excellent low-light performance
- Impressive central sharpness
- Amazing build quality
Cons
- Edges are soft wide-open
- High chromatic aberrations at the edges when shooting wide open
📸 In short, this lens is for you if: you want a lightweight and budget-friendly wide-angle lens to shoot landscapes & everyday surroundings.
💸 More Budget-Friendly Lenses for the Sony a7III
What’s considered budget-friendly is quite subjective. Some of these lenses are cheaper than others. Regardless, they’re the most affordable high-quality lenses for their categories.
- 👧🏻 Best budget Sony a7III portrait lens: Sony FE 85mm F1.8
- 🎥 Best budget Sony a7III video lens: Sony FE 28mm F2.0
- 🦉 Best budget Sony a7III telephoto lens: Sigma 100-400mm F5-6.3 DG DN OS
- 🐝 Best budget Sony a7III macro lens: Sigma 70mm F2.8 DG Macro Art
- ⚙️ Best budget Sony a7III standard zoom lens: Tamron 28-75mm F2.8 Di III VXD G2
👧🏻 Best Portrait Lenses for Sony a7III
To take the best portraits, look for a prime lens with a focal length of 85mm or longer. Prime lenses have very wide apertures, allowing you to create stunning bokeh, a shallow depth of field, and better subject-background separation — all of which would enhance your portraits. Here are the best Sony a7III prime lenses for portraits.
👧🏻 The Best Value Portrait Lens: Sony FE 85mm F1.8
A spectacularly sharp, fast & portable lens with the same quality as pricier lenses
Lens type: Full frame E-mount
Weight: 371 g (13.1 oz.)
Size (WxL): 7.8 x 8.2 cm (3 x 3.2 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 0.80 m (2.63 ft)
Maximum magnification ratio: 0.13x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Sony FE 85mm f/1.8 is a spectacular portrait lens that offers exceptional value for money. It’s amazingly sharp, has stunning bokeh, focuses fast, and is distortion-free. On top of that, it’s also small, lightweight, and portable.
Its image quality and performance are pretty much just as good as the much more expensive Sony FE 85mm f/1.4 GM (which was released a year before) — so much so that most people wouldn’t be able to tell the difference.
The Sony 85mm f/1.8 is ultra-sharp from corner to corner at every aperture. In fact, according to Sony’s MTF chart, it’s possibly even sharper than the premium 85mm f/1.4 GM. It also has no ghosts and better flare control than the f/1.4 lens.
Autofocus is not only fast and reliable, it’s also completely silent. Bokeh is also incredibly smooth and stunning. You’ll also see fantastic low-light performance.
The only downside of this lens is that you’ll get strong vignettes at wider f-stops. Vignettes can be easily removed in post-processing via Adobe Lightroom, though.
Overall, this lens is truly a must-have if you’re serious about portraits. You’ll essentially get the same value as the premium Sony 85mm f/1.4 GM while paying much less and dragging around 450 g (15.8 oz.) less weight.
Pros
- Sharper than more premium lenses
- Breathtaking bokeh
- Small & lightweight
- Exceptional value for money
Cons
- Strong vignettes at wider f-stops
📸 In short, this lens is for you if: you want a small and relatively affordable portrait lens with spectacular image quality, bokeh, and low-light performance.
👧🏻 The Sharpest Portrait Lens: Sony FE 135mm F1.8
The best portrait lens for creamy bokeh & the best subject-background separation
Lens type: Full frame E-mount
Weight: 950 g (33.6 oz.)
Size (WxL): 8.9 x 12.7 cm (3.5 x 5 in)
Filter diameter: 82 mm (3.2 in)
Minimum focus distance: 0.70 m (2.3 ft)
Maximum magnification ratio: 0.25x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Sony FE 135mm f/1.8 GM is the ultimate portrait lens to get if you want the most top-notch optics and image quality possible. In fact, expert Roger Cicala from LensRentals said that out of 300+ lenses, this is the sharpest lens he’s ever tested.
You’ll get details so rich that you don’t even have to sharpen your photos at all in post-processing. Moreover, it’s ultrasharp edge-to-edge even when shooting wide open (at f/1.8).
Another great thing about this lens is its insanely fast and reliable autofocus, which will allow you to get super quick shots of fleeting moments. With your in-camera corrections turned on, you’ll also see no distortions. Ghosts and flares are minimal too.
With this lens’s 135mm focal length and wide f/1.8 aperture, you’ll also be able to capture super smooth and creamy bokeh and allow your subjects to sharply stand out against the background.
The only significant downside of this lens is that it’s pretty heavy, bulky, and expensive. If you’re serious about portrait photography and want the sharpest results possible, though, then there’s really no better lens to invest in.
Pros
- Possibly the sharpest lens ever
- Insanely fast & reliable autofocus
- Incredibly smooth & creamy bokeh
- Excellent low-light performance
Cons
- Heavy & bulky
- Pretty expensive
📸 In short, this lens is for you if: you want the sharpest portraits, the creamiest bokeh, and very fast autofocus in order to catch fleeting moments (such as during weddings).
👧🏻 The Best Portrait + Macro Lens: Sony 90mm F2.8
A very user-friendly macro lens that also doubles as a spectacularly sharp portrait lens
Lens type: Full frame E-mount
Weight: 602 g (21.3 oz.)
Size (WxL): 7.9 x 13 cm (3.1 x 5.1 in)
Filter diameter: 62 mm (2.4 in)
Minimum focus distance: 0.28 m (0.92 ft)
Maximum magnification ratio: 1.0x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here
A closer look:
Although the Sony FE 90mm f/2.8 Macro G OSS is a specialized macro lens, it doubles as a fantastic portrait lens as well. It’s also one of the sharpest Sony lenses ever made and will allow you to capture incredibly fine details on your subjects.
Being a macro lens, it’s of course also perfect for shooting flowers, bugs, and other small subjects, so you get exceptional value with just one multi-purposeful lens.
This lens has a very practical autofocus system. To switch between autofocus and manual focus, all you need to do is push the focus ring out or pull it back in. There’s no need to flip a switch (in fact, there’s no AF/MF switch on this lens) and it’s very intuitive.
Autofocus is also very fast and reliable. Additionally, this lens performs beautifully in low-light situations and delivers stunning bokeh. Sharpness is flawless from edge to edge at every aperture, and there are also no distortions, flares, or ghosts.
The image quality that this lens delivers is absolutely exceptional, and it’s truly one of the most user-friendly macro + portrait lenses out there. The only downside is that autofocus can be a bit noisy, which might be disruptive when shooting in quiet environments.
Pros
- One of the sharpest Sony lenses ever
- Incredibly user-friendly
- Fantastic for both macro & portraits
- Smooth & stunning bokeh
Cons
- Autofocus can be a bit noisy
📸 In short, this lens is for you if: you plan to take macro shots in addition to portraits and want a very sharp and user-friendly lens.
🔮 If you’re interested in more portrait lenses, check out my review for the Sony FE 55mm F1.8 ZA. Though it has a shorter focal length, it’s great for environmental portraits, street photography, and top-notch videography.
🏞 Best Wide Angle Lenses for Sony a7III
If you’re looking for the best landscape lenses for Sony a7III, then I highly recommend looking into wide-angle lenses.
Wide-angle lenses allow more of the scene to be included in the photo, which is very useful for landscape, architectural, and interior photography, where you may not be able to move farther from the scene to include it all in the frame.
A full-frame wide-angle lens has a maximum focal length of 35mm. Here are the best Sony a7III wide angle lenses, including prime and zoom lenses.
🏞 Top Overall Wide Angle Zoom: Sony 16-35mm F2.8
An incredibly sharp premium lens with a very flexible & practical zoom range
Lens type: Full frame E-mount
Weight: 680 g (24 oz.)
Size (WxL): 8.8 x 12.1 cm (3.4 x 4.7 in)
Filter diameter: 82 mm (3.2 in)
Minimum focus distance: 0.28 m (0.92 ft)
Maximum magnification ratio: 0.19x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Sony FE 16-35mm f/2.8 GM is the absolute best wide angle lens for Sony a7III. It’s razor-sharp at every setting, focuses super fast, and has a practical zoom range that’s suitable for a large variety of wide-angle settings.
This lens may be expensive, but its impeccable performance totally backs up the high price. If you’re serious about wide-angle photography and want the best image quality possible, then look no further than this lens.
In fact, this lens is ultra-sharp edge-to-edge even when shooting wide open at f/2.8. Bokeh is absolutely beautiful too, and you’ll be able to create super creamy backgrounds.
This is also a great low-light lens that will allow you to capture starry skies as well as low-lit interior architecture. Moreover, autofocus is very fast, accurate, and practically silent too.
This lens does show some distortion and vignetting, although you can easily prevent them by turning on in-camera corrections or remove them with editing software like Adobe Lightroom.
Pros
- Razor-sharp from edge to edge
- Very fast & accurate autofocus
- Stunning & smooth bokeh
- Great low-light performance
Cons
- Some vignetting & distortion when uncorrected
- Pretty expensive
📸 In short, this lens is for you if: you want a very flexible wide-angle zoom range and as little compromises as possible when it comes to image quality.
🔮 If this lens is out of your budget but you like its focal range, check out the Sony Vario-Tessar 16-35mm F4 ZA OSS. It costs a lot less, is sharp throughout the range, relatively compact, but isn’t great for low-light situations.
🏞 Top Ultra-Wide Angle Zoom: Sigma 14-24mm F2.8
An incredibly sharp super-wide-angle lens that’s also excellent for astrophotography
Lens type: Full frame E-mount
Weight: 795 g (28 oz.)
Size (WxL): 8.5 x 13.3 cm (3.3 x 5.2 in)
Filter diameter: N/A
Minimum focus distance: 0.28 m (0.91 ft)
Maximum magnification ratio: 0.14x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Sigma 14-24mm f/2.8 DG DN Art is the best option for you if you’re looking for an ultra-wide-angle lens that allows you to frame even more of the scenery.
This lens is not only 2mm wider than the previously mentioned Sony 16-35mm f/2.8 GM; it’s also a lot more affordable too. Moreover, its image quality is absolutely outstanding.
Throughout the entire zoom range, you’ll get superb sharpness and contrast, even when shooting wide open at f/2.8. While the edges are a tiny bit soft at f/2.8, they quickly sharpen when you stop down to f/4.
This lens is also amazing for astrophotography given its fantastic low-light performance. Autofocus is very accurate and fast, and the weather-sealed build quality is excellent too.
This lens has a shorter focal range than the Sony 16-35mm f/2.8 GM and is prone to a bit of vignetting. All in all, it’s a top-value choice for those looking to shoot ultra-wide.
Pros
- Incredibly sharp even wide-open
- Great for astrophotography too
- 2mm wider than the Sony 16-35mm F2.8
- Cheaper than the Sony 16-35mm F2.8
Cons
- Shorter focal range than the Sony 16-35mm F2.8
- Some vignetting & distortion when uncorrected
📸 In short, this lens is for you if: you’d like a relatively affordable lens with an ultra-wide zoom range.
🏞 Top Travel Wide Angle Lens: Tamron 17-28mm F2.8
The most affordable & travel-friendly wide angle zoom lens for the Sony a7III
Lens type: Full frame E-mount
Weight: 420 g (14.8 oz.)
Size (WxL): 7.3 x 9.9 cm (2.8 x 3.8 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 0.19 m (0.62 ft)
Maximum magnification ratio: 0.19x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Tamron 17-28mm f/2.8 Di III RXD is the best wide lens for Sony a7III when it comes to size and portability. In fact, this lens is almost half the weight of the previous two wide-angle zoom lenses, making it an excellent travel-friendly gear.
On top of that, it’s also the most budget-friendly Sony a7III wide-angle zoom lens that delivers way beyond a budget-level performance.
This lens is beautifully sharp in the center even when shooting wide open at f/2.8. It has very minimal distortions and performs fantastically in low light.
Autofocus is fast and reliable even when it comes to moving subjects. On top of that, this lens has a very close minimum focus distance, meaning it’s great for vlogs too — you can hold the camera up close and it’ll focus on you while creating bokeh in the background.
Note that if you want to print your photos on very large prints or posters, then this lens will fall short, and you’re better off with either of the two previously mentioned wide-angle lenses (the Sigma 14-24mm f/2.8 or the Sony 16-35mm f/2.8), which are much sharper and crispier.
If your photos will mostly live on screens or small prints, though, then this Tamron lens is proof that you can get spectacular image quality without spending a fortune.
Pros
- Lightweight & travel-friendly
- Excellent central sharpness
- Great for vlogs too
- Budget-friendly
Cons
- Not sharp enough for large prints
- Soft edges when shooting wide open
- Shorter focal range than the Sony 16-35mm F2.8
📸 In short, this lens is for you if: you want a travel-friendly and affordable wide-angle zoom lens and don’t need to print your photos on very large prints.
🌃 Top Low-Light Wide Angle Lens: Sony 24mm F1.4
The sharpest, lightest, least expensive, and best 24mm f/1.4 ever made
Lens type: Full frame E-mount
Weight: 445 g (15.7 oz.)
Size (WxL): 7.5 x 9.2 cm (2.9 x 3.6 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 0.24 m (0.79 ft)
Maximum magnification ratio: 0.17x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Sony FE 24mm f/1.4 GM is hands down one of the best prime lenses for Sony a7III simply because it’s rare to find a wide-angle lens with a maximum aperture of f/1.4. Its image quality is also impeccable.
To start off, with its incredibly wide f/1.4 aperture, there’s truly no better wide-angle lens for stunning bokeh (for beginners, it’s the out-of-focus parts of an image).
The f/1.4 max aperture also makes this lens better than any other Sony a7III wide-angle lens for low-light situations, as you’ll be able to shoot at slow shutter speeds without having to venture into noise-inducing ISO levels.
This lens also delivers fantastic edge-to-edge sharpness throughout the aperture range, especially wide-open at f/1.4. Autofocus is fast, reliable, and near-silent. On top of all that, this lens is also lightweight and travel-friendly.
The only downside to this lens is that it’s in the pricier range. However, it’s still the least expensive, lightest, sharpest, and best 24mm f/1.4 ever made — it’s worth every penny of its price tag, especially if you’re serious about low-light wide-angle photography.
Pros
- Ultra-sharp edge-to-edge
- Very wide f/1.4 max aperture
- Excellent for low-light conditions
- Compact & lightweight
Cons
- Kind of expensive
📸 In short, this lens is for you if: you plan to take lots of low-light wide-angle shots or if you want to maximize bokeh in your wide-angle shots.
🏞 Best Medium Wide Angle Lens: Sony 35mm F1.8
The best Sony a7III wide-angle prime lens for street photography & medium-wide settings
Lens type: Full frame E-mount
Weight: 280 g (9.9 oz.)
Size (WxL): 6.5 x 7.3 cm (2.5 x 2.8 in)
Filter diameter: 55 mm (2.1 in)
Minimum focus distance: 0.22 m (0.73 ft)
Maximum magnification ratio: 0.24x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Sony FE 35mm f/1.8 is the best option for you if you want a wide-angle prime lens with a medium-wide focal length. This is typically useful for medium-wide landscapes or architecture that doesn’t require an ultra-wide focal length.
Moreover, if you can’t afford the previous prime lens (Sony 24mm f/1.4 GM), this 35mm wide-angle prime is an amazing alternative — it costs a lot less while still delivering very impressive image quality. It’s also incredibly lightweight and travel-friendly.
Along with its 35mm focal length, this lens also has a close minimum focus distance of 0.22 m (0.73 ft). These factors make it the best wide-angle prime for street photography and environmental portraits.
In addition, you’ll get beautiful bokeh effects and excellent low-light performance thanks to the bright f/1.8 aperture. This lens is also ultra-sharp from corner to corner even when shooting wide open, and autofocus is super fast and reliable.
On the downside, this lens is quite costly for a lens of its type. There are also some visible chromatic aberrations at wider apertures, especially if there’s a high contrast between the subject and the background. However, this is easy to remove with Adobe Photoshop.
Pros
- Super lightweight & travel-friendly
- Great for medium wide-angle shots
- Ultra-sharp from edge to edge
- Excellent low-light performance
Cons
- A bit expensive
- Visible chromatic aberrations
📸 In short, this lens is for you if: you prefer a medium-wide focal length and want a very lightweight & travel-friendly lens.
💸 If you’re looking for the best budget-friendly Sony a7III wide-angle lens, check out my review for the Sony FE 28mm F2.0.
🎥 Best Video Lenses for Sony a7III
Here’s what to look for when choosing the best video lens for Sony a7III. First, look for a lens with a fixed aperture. This will allow the exposure level of your video to stay constant even as you zoom in or out — making these transitions smooth and natural.
You might also want a lens with a wide max aperture (f/2.8 or wider) for beautiful bokeh and good low-light performance.
For vlogging, look for a wide-angle lens (max 35mm focal length) with a minimum focus distance of around 0.30 m (1 ft) or less so that you can easily stay in focus while talking to the camera. Here are the best Sony a7III lenses for videos.
🎥 Best Everyday Video Lens: Tamron 28-75mm F2.8
A top value everyday zoom lens with a great focal range & super sharp video quality
Lens type: Full frame E-mount
Weight: 540 g (19 oz.)
Size (WxL): 7.5 x 11.7 cm (2.9 x 4.6 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 0.18 m (0.59 ft)
Maximum magnification ratio: 0.34x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
🔮 Also chosen as: The Best All-Around Sony a7III Lens
The Tamron 28-75mm f/2.8 Di III VXD G2 is the most affordable, lightweight, and versatile choice for shooting high-quality 4K videos.
To start off, the 28-75mm zoom range makes this lens very versatile and multi-purposeful. It’s perfect for a variety of everyday videos and can beautifully capture everything from landscapes to close-ups of people.
Additionally, its f/2.8 aperture will not only allow you to get high-quality videos even in low-light; it’ll also create stunning bokeh effects, especially if you zoom in on your subjects.
The fixed f/2.8 aperture of this lens will also allow you to create natural and smooth transitions as you zoom in or out while filming.
Video quality is super sharp and crisp throughout the zoom range, and for an f/2.8 standard zoom, this lens is also unusually lightweight and compact. Given its reasonable price, this is truly a top-value everyday video lens that’s worth every penny.
Pros
- Super sharp & crisp video quality
- Smooth & stunning bokeh
- Excellent low-light performance
- Lightweight & compact
Cons
- Some vignetting wide-open
- Some color fringing
📸 In short, this lens is for you if: you want the flexibility of a good zoom range to shoot a variety of sharp, high-quality everyday videos.
🎥 Best Video + Portrait Lens: Sony FE 55mm F1.8
A ridiculously sharp lens perfect for videos, bokeh-lovers, portraits & street shots
Lens type: Full frame E-mount
Weight: 281 g (10 oz.)
Size (WxL): 6.4 x 7 cm (2.5 x 2.7 in)
Filter diameter: 49 mm (1.9 in)
Minimum focus distance: 0.5 m (1.64 ft)
Maximum magnification ratio: 0.14x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Sony FE 55mm f/1.8 ZA is a ridiculously sharp lens that will take your videos and photos to the next level. In fact, it’s one of the sharpest Sony lenses out there and delivers impeccable image/video quality.
On top of that, it also doubles as a casual portrait and street photography lens thanks to its f/1.8 aperture and 55mm focal length (which is close to the human eye level).
The bright f/1.8 aperture of this lens is what makes it truly spectacular for videos and photos. It’ll allow you to get super smooth bokeh (even better than the Tamron 28-75mm f/2.8 mentioned above) as well as beautiful, crisp, and noise-free low-light videos/photos.
Weighing a mere 281 g (10 oz.), this lens is also really small, lightweight, and easy to take everywhere. Autofocus is also very fast, reliable, and silent.
The only real downside of this lens is that it’s not the cheapest thing in the world. With that said, given its top-notch video/image quality, travel-friendliness, and fast f/1.8 aperture, you definitely get incredible value for what you pay for.
Pros
- One of the sharpest Sony lenses
- Impeccable video & image quality
- Great for portraits & street shots too
- Small & lightweight
Cons
- Not the cheapest lens
📸 In short, this lens is for you if: you want ultra-sharp videos and street shots, are a fan of bokeh, and enjoy packing light.
🎥 The Best Lens for Vlogging: Sony 28mm F2.0
An ultra-fast, budget-friendly & portable lens that makes vlogging super easy
Lens type: Full frame E-mount
Weight: 200 g (7.1 oz.)
Size (WxL): 6.4 x 6 cm (2.5 x 2.3 in)
Filter diameter: 49 mm (1.9 in)
Minimum focus distance: 0.29 m (0.96 ft)
Maximum magnification ratio: 0.13x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
🔮 Also chosen as: The Best Budget Wide-Angle Lens
The Sony FE 28mm f/2.0 is a spectacular vlogging lens thanks to its wide 28mm focal length, close minimum focusing distance, and bright f/2.0 aperture.
This incredibly small and lightweight lens is super easy to vlog with. It focuses ultra-fast and very silently, and its wide focal length allows you to easily talk to the camera.
You’ll get fantastic bokeh even when shooting selfie videos and will get excellent video quality in low light as well. On top of all that, this lens is very budget-friendly, has a great build quality, and delivers sharp results.
The only downside is that you’ll get some soft edges and chromatic aberrations when shooting wide open. As you increase the aperture value, though, these issues fade away.
Pros
- Very sharp video quality
- Super lightweight & travel-friendly
- Beautifully smooth bokeh
- Excellent low-light performance
Cons
- Edges are soft wide-open
📸 In short, this lens is for you if: you plan to shoot lots of vlogs and want a very affordable and travel-friendly video lens.
🦉 Best Telephoto Lenses for Sony a7III
To capture subjects far away from you, you’ll need a telephoto lens, which typically has a minimum focal length of 70mm. You can also get a super-telephoto lens, which typically has a focal length of 300mm or more. Here are the best Sony a7III telephoto lenses.
🦉 Best Pro Telephoto Lens: Sony 70-200mm F2.8
The ultimate telephoto zoom lens for image quality, bokeh & low-light performance
Lens type: Full frame E-mount
Weight: 1480 g (52.2 oz.)
Size (WxL): 8.8 x 20 cm (3.4 x 7.8 in)
Filter diameter: 77 mm (3 in)
Minimum focus distance: 0.96 m (3.1 ft)
Maximum magnification ratio: 0.25x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here
A closer look:
The Sony FE 70-200mm F2.8 GM OSS is the absolute best telephoto zoom lens for any Sony full-frame mirrorless. If you’re after the most top-notch image quality and performance, look no further than this lens.
First things first, this lens is ultra-sharp edge-to-edge throughout the zoom range, even wide-open at f/2.8. It delivers photos with extreme detail. It also focuses very fast and accurately without making any noise, which is especially handy for wildlife shots.
In addition, you’ll get incredibly stunning bokeh and fantastic low-light performance, which will come in handy for indoor events like sports and stage performances. This lens is also great for portraits thanks to its wide aperture and long focal range.
This lens is very expensive and heavy. It’s no doubt that it offers incredible value for money, but it’s definitely more suitable for professional photographers and serious amateurs.
If photography is just a casual hobby for you, I recommend the much cheaper Tamron 70-180mm f/2.8 mentioned below.
Pros
- Impeccably sharp edge-to-edge
- Super fast & accurate autofocus
- Excellent low-light performance
- Gorgeous bokeh
Cons
- Very expensive
- Very heavy
📸 In short, this lens is for you if: you need a telephoto zoom range and want the sharpest, most professional-looking photos — even when shooting in low-light conditions.
🦉 Best Value Tele Lens: Tamron 70-180mm F2.8
A lightweight & affordable tele-zoom lens that doesn’t compromise on image quality
Lens type: Full frame E-mount
Weight: 810 g (28.5 oz.)
Size (WxL): 8.1 x 14.9 cm (3.1 x 5.8 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 0.85 m (2.7 ft)
Maximum magnification ratio: 0.21x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Tamron 70-180mm f/2.8 Di III VXD is the best lower-priced alternative to the previously mentioned Sony 70-200mm f/2.8 and the top value f/2.8 telephoto zoom lens in the market.
For a lens of its kind, it’s very lightweight and compact. In fact, it weighs a whopping 670 g (23.6 oz.) less than the Sony 70-200mm f/2.8! Despite its smaller size and weight, it definitely makes no compromises on image quality.
This lens delivers very sharp results in the center throughout the zoom range, even when shooting wide-open at f/2.8. It also focuses very quickly, accurately, and quietly, and is great for portraits too.
Low-light performance is excellent, and while bokeh isn’t quite as smooth as that of the Sony 70-200mm f/2.8, it’s still very beautiful — honestly, you won’t notice the difference at all unless you’re a professional.
Note that this lens offers 20mm less focal reach than the Sony 70-200mm f/2.8. This might be an issue if you’re planning to shoot far away subjects, such as wildlife.
Pros
- Very sharp even at f/2.8
- Lightweight & compact
- Fantastic low-light performance
- Incredible value for money
Cons
- Max focal length is only 180mm
- Soft edges at 180mm
- Some vignetting & distortions when uncorrected
📸 In short, this lens is for you if: you’re more of a hobbyist than a professional and want a relatively lightweight & affordable telephoto zoom lens that performs well in low light.
🦉 Best Tele + Macro Lens: Sony 100-400mm F4.5-5.6
A razor-sharp telephoto lens that also outperforms many specialized macro lenses
Lens type: Full frame E-mount
Weight: 1395 g (49.3 oz.)
Size (WxL): 9.3 x 20.5 cm (3.6 x 8 in)
Filter diameter: 77 mm (3 in)
Minimum focus distance: 0.98 m (3.22 ft)
Maximum magnification ratio: 0.35x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here
A closer look:
The Sony FE 100-400mm f/4.5-5.6 GM OSS is the absolute best super-telephoto zoom lens you can get in terms of image quality, performance, and versatility. As a matter of fact, it also doubles as a macro lens thanks to its maximum magnification ratio of 0.35x.
While this lens is pricey, you truly get the ultimate image quality and can shoot anything from wildlife and sports to small insects.
This lens is razor-sharp edge-to-edge, even when shooting wide-open at 400mm. Autofocus is incredibly fast, accurate, and silent. It also has no trouble tracking moving subjects, which is quite important for wildlife and sports shots.
Moreover, this lens focuses faster than many specialized macro lenses, and thanks to its long focal length, you can stand far away from subjects like bugs and insects to avoid scaring them away. It truly replaces the need to get a macro lens.
This lens is quite expensive. You can get the Sony 200-600mm f/5.6-6.3 for a lower price and get 200mm more zoom reach, although that’s not a good lens for macro shots.
The Sony 100-400mm f/4.5-5.6 is also not the best lens for shooting in low light. Because of its narrow max aperture, focusing on small subjects in low light can be difficult and slow.
Pros
- Impressively sharp even at 400mm
- Doubles as a spectacular macro lens
- Accurately tracks moving subjects
- Beautiful & smooth bokeh
Cons
- Not the best low-light performance
- Quite expensive
- Very heavy
📸 In short, this lens is for you if: you plan to shoot close-ups & macro with a telephoto lens, and you want razor-sharp photos but don’t need low-light performance.
🦉 Most Versatile Tele Lens: Sony 70-300mm F4.5-5.6
A general-purpose telephoto lens with a great zoom range & approachable price
Lens type: Full frame E-mount
Weight: 854 g (30.2 oz.)
Size (WxL): 8.4 x 14.3 cm (3.3 x 5.6 in)
Filter diameter: 72 mm (2.8 in)
Minimum focus distance: 0.9 m (2.96 ft)
Maximum magnification ratio: 0.31x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here
A closer look:
The Sony FE 70-300mm f/4.5-5.6 G OSS is an excellent option for you if you can’t afford the previously mentioned Sony 100-400mm f/4.5-5.6 but would like a lens with more focal reach than the cheaper Tamron 70-180mm f/2.8.
This lens is very versatile and multi-purposeful — it’s fantastic for shooting wildlife, sports, events, and can even dabble in some casual portraits and macro too.
While this lens is not as sharp as the much more expensive Sony 100-400mm f/4.5-5.6, it still shows impressive image quality. It delivers excellent central sharpness throughout the zoom range, although at 300mm, corner sharpness is quite poor.
Autofocus is quick and accurate under good lighting conditions, and because this lens focuses so closely, it can double as a macro lens too. For a telephoto zoom of its kind, this lens is also very lightweight and compact.
On the downside, do not expect reliable low-light performance from this lens. Under dim lighting, it’s unable to consistently lock focus. Although this lens has a decently approachable price, it’s also not exactly cheap for a relatively slow lens.
However, if you don’t care about low-light performance and don’t need edge-to-edge sharpness when shooting wide-open, then this lens’s reach, size, and price might just be the perfect fit for you.
Pros
- Very multi-purposeful zoom range
- Great for wildlife, portraits & macro
- Excellent central sharpness
- Great combo of reach, size & price
Cons
- Not the best in low light
- Corners are soft at 300mm
- A bit pricey for a relatively slow lens
📸 In short, this lens is for you if: you want a versatile telephoto lens with a big zoom range and don’t need the best low-light performance or utmost sharpness.
🦉 Best Super-Tele Lens: Sony 200-600mm F5.6-6.3
The ultimate Sony a7III lens for wildlife photography & super far away subjects
Lens type: Full frame E-mount
Weight: 2115 g (74.7 oz.)
Size (WxL): 11.1 x 31.8 cm (4.3 x 12.5 in)
Filter diameter: 95 mm (3.7 in)
Minimum focus distance: 2.4 m (7.88 ft)
Maximum magnification ratio: 0.2x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here
A closer look:
The Sony FE 200-600mm f/5.6-6.3 G OSS is the best value Sony a7III lens you can get if you want to shoot subjects very far away from you, such as wildlife. Despite the mighty telephoto reach of this lens, there’s barely any compromise on image quality.
Price-wise, this lens also offers incredible value for money as it’s even cheaper than the shorter Sony 100-400mm f/4.5-5.6 GM (mentioned above). It also has an impressive weather-sealed build.
This lens is ultra-sharp edge-to-edge throughout the focal range. While bokeh is generally not a strong suit of lenses with such narrow apertures, this lens actually delivers really nice bokeh. Moreover, autofocus is fast, accurate, and practically silent.
Note that this lens is necessarily big and heavy, and also doesn’t perform too well in low-light situations. It can take a while for it to focus in dim lighting, and you’ll most likely have to use noisy ISO settings too.
If you’re deciding between this lens and the Sony 100-400mm f/4.5-5.6 GM, note that if you primarily shoot wildlife, then you’ll largely benefit from the 600mm focal length of this lens. On the other hand, the 100-400mm is a better lens for macro and landscapes.
Pros
- Ultra-sharp edge to edge
- Very long telephoto reach
- Really nice bokeh
- High-quality weather-sealed build
Cons
- Necessarily big & heavy
- Not great in low-light
📸 In short, this lens is for you if: focal reach is your #1 priority — you want a telephoto lens that lets you reach as far away as possible (especially useful when shooting wildlife).
🦉 Best Budget Tele Lens: Sigma 100-400mm F5-6.3
A high-quality, sharp & lightweight lens that offers incredible value for money
Lens type: Full frame E-mount
Weight: 1140 g (40.2 oz.)
Size (WxL): 8.6 x 19.9 cm (3.4 x 7.8 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 1.12 m (3.6 ft)
Maximum magnification ratio: 0.24x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here
A closer look:
The Sigma 100-400mm f/5-6.3 DG DN OS is a very reasonably priced and lightweight super-telephoto lens that delivers excellent image quality and great value for money.
If you plan to shoot lots of far-away subjects such as wildlife, sports, or close-up landscapes and don’t want to spend a fortune, then this is the best budget-friendly lens you can get.
This lens is very sharp across the whole zoom range. While the corners are always a bit softer than the center at all focal lengths, they’re still impressively sharp.
Under bright lighting conditions, autofocus is very fast, smooth, and silent. It also effortlessly tracks fast-moving subjects. Moreover, distortions, color-fringing, flares, and ghosting are all kept at a minimum level.
On the downside, autofocus is quite slow under dim lighting and can hunt for a while. You might also need to venture into noisy ISO settings when shooting in low light given the narrow aperture of this lens.
This lens is also not weather-sealed, and the Sony E-mount version of it is incompatible with teleconverters. Lastly, because of its narrow aperture, bokeh generally isn’t the smoothest.
Pros
- Very sharp throughout the zoom range
- Tracks fast-moving subjects well
- Really good reach for its price
- Lightweight for a 100-400mm zoom
Cons
- Not the best low-light performance
- Bokeh is a bit defined
- Not weather-sealed
- Incompatible with teleconverters
📸 In short, this lens is for you if: you want the most budget-friendly telephoto lens that doesn’t compromise on image quality, and you don’t plan to shoot too much in low light.
⚙️ Best Teleconverter Lenses for the Sony a7III
A teleconverter gives your lens more telephoto reach by magnifying the images made by it. It fits in between the camera body and the lens and helps you get even closer to your subjects.
Bear in mind, though, that not all lenses are compatible with the best teleconverters. By using them, you’ll also be reducing the maximum aperture of your lens, and sometimes, the general image quality of your shots. Here are the best two teleconverters for the Sony a7III.
Sony FE 1.4x Teleconverter (SEL14TC)
Weight: 167 g (5.8 oz.)
Size (WxL): 6.2 x 3.3 cm (2.4 x 1.2 in)
Only compatible with these lenses:
Sony FE 70-200mm F2.8 GM
Sony FE 100-400mm F4.5-5.6 GM
Sony FE 200-600mm F5.6-6.3 G
Sony FE 400mm F2.8 GM
Sony FE 600mm F4 GM
The Sony FE 1.4x Teleconverter extends the reach of some of the best Sony a7III telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing one full aperture stop.
- Sony FE 70-200mm f/2.8 — reach extended to 280mm, max aperture reduced to f/4
- Sony FE 100-400mm f/4.5-5.6 — reach extended to 560mm, max aperture reduced to f/6.3-8
- Sony FE 200-600mm f/5.6-6.3 — reach extended to 840mm, max aperture reduced to f/8-9
Pros
- Increases focal reach by 1.4x
- Very little image sharpness loss
- Autofocus performance is unaffected
- Lightweight & compact
Cons
- Sacrifices one full aperture stop
- A bit more vignetting when wide-open
- Not cheap
Sony FE 2.0x Teleconverter (SEL20TC)
Weight: 207 g (7.3 oz.)
Size (WxL): 6.2 x 4.2 cm (2.4 x 1.6 in)
Only compatible with these lenses:
Sony FE 70-200mm F2.8 GM
Sony FE 100-400mm F4.5-5.6 GM
Sony FE 200-600mm F5.6-6.3 G
Sony FE 400mm F2.8 GM
Sony FE 600mm F4 GM
The Sony FE 2.0x Teleconverter extends the reach of some of the best Sony a7III telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing two full aperture stops.
- Sony FE 70-200mm f/2.8 — reach extended to 400mm, max aperture reduced to f/5.6
- Sony FE 100-400mm f/4.5-5.6 — reach extended to 800mm, max aperture reduced to f/9-11
- Sony FE 200-600mm f/5.6-6.3 — reach extended to 1200mm, max aperture reduced to f/11-13
Pros
- Increases focal reach by 2x
- Autofocus performance is still really good under bright lighting
- Lightweight & compact
Cons
- Sacrifices two full aperture stops
- Overall image sharpness is reduced a bit
- Poorer autofocus performance in dim light
✈️ Best Travel Lenses for Sony a7III
If you’re looking to travel with your Sony a7III, you’ll want a small and lightweight lens that’s easy to carry. A good, versatile zoom range might also come in handy if you want to shoot a variety of things. Here are the best Sony a7III lenses to bring on your trips.
- ✈️ Best standard zoom travel lens: Tamron 28-75mm F2.8 — light & great zoom range
- 🏞 Best wide-angle travel lens: Tamron 17-28mm F2.8 — light & great for landscapes
- 🎥 Best vlogging travel lens: Sony 28mm F2.0 — very light & wide focal length
- 🏙 Best street photography lens: Sony 55mm F1.8 — light & eye-level focal length
- 🦉 Best wildlife travel lens: Sony 70-300mm F4.5-5.6 — light & great telephoto reach
- 🌌 Best astrophotography travel lens: Sony 14mm F1.8 — light & wide aperture
- 🔭 Best all-in-one travel lens: Tamron 28-200mm F2.8-5.6 — versatile zoom range
🔍 Best Macro Lenses for Sony a7III
If you want to take detailed, close-up shots of small subjects such as insects, flowers, or water droplets, then I strongly recommend getting a specialized macro lens.
Macro lenses have a 1:1 magnification ratio and typically, a minimum focusing distance of around 0.30 m (0.98 ft) or less. This will allow you to get extremely sharp and detailed close-ups of microscopic subjects.
To get macro shots of insects and bugs, consider a lens with a focal length of at least 90mm so that you can shoot from further away — if you get too close to them, you might scare them away. For medium-sized subjects like flowers, food, or products, any focal length above 60mm would suffice.
🐝 Best Macro Lens for Insects: Sony FE 90mm F2.8
One of the sharpest Sony lenses ever made that’s incredibly user-friendly & versatile
Lens type: Full frame E-mount
Weight: 602 g (21.3 oz.)
Size (WxL): 7.9 x 13 cm (3.1 x 5.1 in)
Filter diameter: 62 mm (2.4 in)
Minimum focus distance: 0.28 m (0.92 ft)
Maximum magnification ratio: 1.0x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here
A closer look:
The Sony FE 90mm f/2.8 Macro G OSS is the absolute best Sony a7III macro lens for shooting very tiny subjects such as insects, bugs, and water droplets. Moreover, this lens doubles as a fantastically sharp portrait lens, too.
It’s no doubt that you’ll get incredible value with this lens. It is one of the sharpest Sony lenses ever built and is flawlessly sharp at all apertures, even wide-open.
Bokeh is super smooth and beautiful, and autofocus is very fast and accurate. Better yet, to switch between autofocus and manual focus, you just need to push the focus ring out or pull it back in — there’s no need to flip a switch!
Moreover, this lens’s 90mm focal length allows you to shoot comfortably from further away, and you won’t have to risk blocking light or scaring bugs away by getting too close.
This lens performs fantastically in low-light situations and shows no distortions, flares, or ghosts. If I’m being picky, the only downside is that autofocus can be a bit noisy, which might be disruptive when shooting in quiet environments.
All in all, this is the ultimate lens to get if you’re serious about macro photography and want the most exceptional image quality. When it comes to user-friendliness, quality, and performance, this lens is truly hard to beat.
Pros
- One of the sharpest Sony lenses ever
- Incredibly user-friendly
- Fantastic for both macro & portraits
- Very easy AF/MF switch system
Cons
- Autofocus can be a bit noisy
📸 In short, this lens is for you if: you want to photograph very tiny subjects such as insects, bugs, and water droplets and want the utmost image quality.
🌸 Best Macro Lens for Flowers: Sigma 70mm F2.8
A lightweight & affordable lens perfect for sharp close-ups of medium-sized subjects
Lens type: Full frame E-mount
Weight: 570 g (20.1 oz.)
Size (WxL): 7 x 13.2 cm (2.8 x 5.2 in)
Filter diameter: 49 mm (1.9 in)
Minimum focus distance: 0.25 m (0.82 ft)
Maximum magnification ratio: 1.0x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Sigma 70mm f/2.8 DG Macro Art is an affordable and lightweight macro lens that delivers razor-sharp results and outstanding image quality. If you plan to take detailed close-ups of flowers, food, and other medium-sized subjects, then this lens will offer fantastic value.
You can also use it to photograph bugs and insects, but the previously mentioned Sony 90mm f/2.8 is definitely the better lens for that as it allows you to shoot from further away.
This lens is razor-sharp edge-to-edge. Its wide f/2.8 aperture also helps deliver super creamy and smooth bokeh as well as excellent low-light performance.
Chromatic aberrations are really well-controlled, and there are barely any distortions, ghosts, or flares. Overall, the image quality it delivers is very impressive.
On the downside, autofocus is a bit slow, and even more so in dim lighting. That’s another reason why this is not the best lens for insects and bugs; these fast-moving subjects may fly away before this lens has had a chance to focus. This lens also isn’t weather-sealed.
Pros
- Razor-sharp edge-to-edge
- Smooth & creamy bokeh
- Excellent low-light performance
- Fantastic value for money
Cons
- Autofocus is a bit slow
- Not weather-sealed
📸 In short, this lens is for you if: you want to take super sharp and crisp close-ups of flowers, food, products, and other medium-sized subjects.
🔮 As you may remember from earlier, the Sony FE 100-400mm F4.5-5.6 GM is an amazing telephoto lens that also doubles as a macro lens. It’s another great option to consider if you’re planning to shoot wildlife or sports too!
🌌 Best Astrophotography Lenses for Sony a7III
To capture a starry night sky or the Milky Way, you’ll need a lens that’s great for astrophotography. Ideally, this would be an ultra-wide-angle lens (which has a max focal length of around 24mm) so that you can frame a lot more of the sky in one shot.
More importantly, this lens should have a wide maximum aperture — at least f/2.8 or wider. Otherwise, your shots are likely to come out grainy. Make sure that this lens is also sharp — preferably edge-to-edge — when shooting wide-open.
Ideally, this lens should also have minimal chromatic aberrations, low vignetting, and good coma control. Here are the best Sony a7III astrophotography lenses.
🌌 The Ultimate Astro Lens: Sony FE 14mm F1.8
A razor-sharp wide-angle lens that has everything you need for stunning dark sky shots
Lens type: Full frame E-mount
Weight: 460 g (16.3 oz.)
Size (WxL): 8.3 x 9.9 cm (3.2 x 3.8 in)
Filter diameter: 49 mm (1.9 in)
Min. focus distance: 0.25 m (0.82 ft)
Maximum magnification ratio: 0.10x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Sony FE 14mm F1.8 GM truly has everything you’d dream of in an astrophotography lens and more. First off, it’s very lightweight and travel-friendly. In fact, it’s the smallest, lightest, and sharpest 14mm in the world.
Its ultra-wide 14mm focal length is perfect for shooting dark nights, as it allows you to capture a lot more of the sky. The f/1.8 aperture will also ensure that your shots will be noise-free even in dark lighting.
Image quality is simply impeccable. In fact, this lens is razor-sharp edge-to-edge, even wide-open at f/1.8, which is exactly what you need in an ideal astrophotography lens.
This lens also focuses manually (autofocus will be pretty useless in such dark settings), has very low chromatic aberrations, and shows no significant coma or vignetting – all of which are important things to look for in an astrophotography lens.
So, while this lens may be a bit pricey, it’ll give you the ultimate image quality and is worth every single penny if you’re serious about dark sky shots.
Pros
- Ultra-sharp edge to edge
- Lightweight & travel-friendly
- Very low chromatic aberrations
- Superb weather-sealed build
Cons
- A bit pricey
📸 In short, this lens is for you if: you want a travel-friendly wide-angle lens with flawless image quality so that you can take the absolute best dark sky shots.
🔮 The Sony FE 16-35mm F2.8 GM (the top overall Sony a7III wide-angle lens) is another amazing lens for astrophotography. It’s sharp edge-to-edge even wide-open and has minimal chromatic aberrations.
🥞 Best Pancake Lens for Sony a7III
Pancake lenses sadly have nothing to do with delicious breakfast carbs or maple syrup. They’re simply incredibly small and lightweight lenses — so light that you’ll barely feel their weight at all. These lenses are great for travel and street photography in particular, especially if you’re a minimalist and prefer packing light.
🥞 Best Pancake Lens: Sony FE 35mm F2.8
The most lightweight & compact general-purpose lens for the Sony a7III
Lens type: Full frame E-mount
Weight: 120 g (4.3 oz.)
Size (WxL): 6.1 x 3.6 cm (2.4 x 1.4 in)
Filter diameter: 49 mm (1.9 in)
Minimum focus distance: 0.35 m (1.15 ft)
Maximum magnification ratio: 0.12x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here
A closer look:
The Sony Sonnar T* FE 35mm F2.8 ZA is essentially the smallest lens for Sony a7III that you can get. Weighing a mere 120 g (4.3 oz.), this lens is the perfect choice for the ultimate minimalists and those who love to pack light.
Its focal length is great for landscapes, architecture, street photography, and general everyday shots. Despite its small size, there’s very little compromise on image quality.
This lens is ultra-sharp even at f/2.8 across the whole frame. Bokeh is beautifully smooth especially if you shoot at f/2.8, although you might see some onion rings from time to time. Autofocus is impressively fast and very silent too.
There’s also great ghost control and minimal flares. The wide aperture of this lens will also help you get high-quality, noise-free shots in low light. In addition, the build quality is very sturdy and weather-sealed.
On the downside, there’s some visible barrel distortion as well as vignetting. You can easily prevent distortions by turning on in-camera corrections on your Sony a7III, though, and vignettes are easily removable via Adobe Lightroom.
This lens is not cheap, but if having a lens that weighs close to nothing would make a big difference for you, then it’s definitely worth the investment.
Pros
- The smallest lens for the Sony a7III
- Very impressive image quality
- Excellent low-light performance
- Sturdy & weather-sealed
Cons
- Some barrel distortion when uncorrected
- Some vignetting
- Not very cheap
📸 In short, this lens is for you if: you’re a minimalist and want the smallest and lightest high-quality lens you can find.
💭 Final Thoughts on These Sony a7III Best Lenses
I hope you enjoyed this guide on the top lenses for Sony a7III and that it was helpful! If you have any questions at all, feel free to leave a comment below. I’ll try my best to help you 🙂
I hope this comprehensive guide on the best lenses for Sony a7III has been helpful!
For more Sony lens recommendations, discover:
💠 25 Best Lenses for Sony a7 Series Cameras
📸 25 Best Lenses for Sony a7 IV
✨ 25 Best Lenses for Sony a7C
🦉 24 Best Lenses for Sony a7R III
🌅 24 Best Lenses for Sony a7R IV
📷 The Best Sony A6000 Lenses
📸 Best Lenses for Sony A6400
For Nikon lens recommendations, discover:
⚙️ The Best Nikon D3100 Lenses
⚙️ The Best Nikon D3400 Lenses
For other photography tips, discover:
📸 Best Cameras for Bloggers
Pin These Best a7III Lenses for Later
Awesome guide, thanks!