Subscribe to my Newsletter!

Be the first to get my new destination guides, tips and freebies!

Privacy Policy

I won't send you spam.
Unsubscribe at any time.

Best Lenses for Sony A6400 in 2020

September 20, 2020

Are you looking for the best lenses for Sony A6400 but aren’t sure where to start? This article will provide you with a detailed comparison of the most high-quality lenses for the mirrorless Sony A6400, including wide-angle, portrait, prime, telephoto, macro, pancake, and fisheye lenses. The Sony A6400 camera uses the Sony E-mount and has an APS-C sensor, which means that any lens with a Sony or third-party E-mount is compatible with this camera.

Sony Lenses On A Table

All the lenses listed in this guide come with either a Sony or third-party E-mount and are also suitable for any Sony mirrorless E-mount APS-C camera as well as the Sony a7 full-frame series and the Sony a9 mirrorless full-frame. Just make sure to use the a7 and a9 in APS-C mode! You will find a comparison table as well as detailed reviews for each lens listed in this guide, including pros and cons and links to sample photos taken with them.

Disclaimer: This awesome, free article contains affiliate links. If you make a purchase after clicking one of these links, I earn a small commission at no extra cost to you. No pressure to use these links, but I really appreciate it when you do!

The Best Lenses for Sony A6400 in 2020

IMAGEPRODUCTLENS TYPEIDEAL FORPRICE 
Sony 16-55mm f/2.8Standard zoomEveryday shots,
landscape,
street, travel
$$$
Sony 10-18mm f/4Wide-angle zoomLandscape,
architecture,
razor-sharp
results
$$$
Sigma 16mm f/1.4Wide-angle primeNight-time,
landscape,
low-light
$$
Laowa 9mm f/2.8Wide-angle primeArchitecture,
landscape,
low-light,
sharpness
$$
Sigma 56mm f/1.4PrimePortrait,
street,
low-light
$$
Sony 85mm f/1.8PrimePortrait,
events,
smooth bokeh
$$
Sony 35mm f/1.8PrimePortrait,
street,
low-light,
motion
$$
Sigma 30mm f/1.4PrimePortrait,
street,
sharpness,
low-light
$
Sony 70-350mm
f/4.5-6.3
TelephotoTravel,
landscape,
wildlife
$$$
Sony 200-600mm
f/5.6-6.3
TelephotoWildlife,
sports,
sharpness
$$$
Sony 55-210mm
f/4.5-6.3
TelephotoTravel,
landscape,
sports
$
Sony 30mm f/3.5MacroClose-ups,
travel,
bokeh
$
Sigma 70mm f/2.8MacroClose-ups,
sharpness,
creamy bokeh
$
Sony 90mm f/2.8MacroSharpness,
close-ups,
portraits,
landscape
$$$
Sony 20mm f/2.8PancakeTravel,
street,
everyday shots
$
Rokinon 8mm f/2.8FisheyeCreative
photos,
night-time,
sharpness
$
Sony 18-135mm
f/3.5-5.6
Superzoom
All-in-one
Travel,
landscape,
wildlife
$$

Our Top Pick – Best Overall Lens: Sony 16-55mm f/2.8

An incredibly versatile lens ideal for portraits, landscape, street photography, and more!

Weight: 494 g (17.4 oz.)
Size (WxL): 7.3cm x 10cm (2.8in x 3.9in)
Filter diameter: 67mm (2.6in)
Minimum focus distance: 0.33m (1.1 ft)
Maximum magnification ratio: 0.2x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

The Sony E 16-55mm f/2.8 G is our #1 choice for the all-around best Sony A6400 lens. Incredibly versatile, this standard zoom lens is perfect for everyday photos, portraits, events, sports, street photography, landscapes, and more. It’s also light, compact, and very easy to travel with. What I love the most about it is that it creates incredibly gorgeous and smooth bokeh, which looks especially stunning in portrait photography.

This lens also comes with fast, quiet, and precise autofocus and tracking, which is especially valuable when shooting fast-motion subjects. Its G lens design also prevents aberrations, reflections, flares, and ghosting, so you’ll get outstandingly sharp image quality throughout the zoom range. The F2.8 aperture on this lens allows you to get beautiful image quality even in low-light conditions (such as sunsets) and allows for a great depth of field. This lens is also resistant to dust and moisture, so you can get that perfect shot even in challenging outdoor conditions!

The only real downside of the Sony 16-55mm f/2.8 lens is that it doesn’t come with image stabilization, and because the Sony A6400 isn’t equipped with it either, handheld videography and astrophotography might be tricky with this lens. With that said, you will still see amazing results in general low-light conditions with this lens because its bright F2.8 aperture allows you to shoot at fast shutter speeds. You can of course also pair this lens with a gimbal to get super smooth videos!

Pros: Compact, lightweight, fast and quiet autofocus, very sharp image quality, gorgeous bokeh, prevents flares and ghosting, wide aperture, great for low-light situations

Cons: No image stabilization

See the latest price of the Sony 16-55mm f2.8


Best Wide-Angle Zoom Lens: Sony 10-18mm f/4

The most ideal lens for landscapes, majestic architecture, interiors, and videography!

Weight: 225g (7.9 oz.)
Size (WxL): 6.4cm x 7cm (2.5in x 2.7in)
Filter diameter: 62mm (2.4in)
Minimum focus distance: 0.25m (0.82 ft)
Maximum magnification ratio: 0.1x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

The Sony E 10-18mm f/4 OSS lens is an absolute must-have if you’re looking to take some epic landscape or interior shots. Its wide focal length of 10-18mm (the equivalent of 15-27mm on a full-frame camera) allows you to capture really majestic and expansive sceneries that would otherwise be difficult to shoot. It’s therefore an amazing travel lens, whether you’re going on a hike or visiting places with incredibly majestic architecture (such as Iran and Uzbekistan).

What I love most about this lens is that it produces extremely sharp and striking images even in low-light conditions such as sunrises, and it’s hard to find a wide-angle lens nowadays that produces such sharp results edge to edge. This lens also focuses very quickly and has built-in image stabilization, creating smooth and blur-free photos and videos even in low-light situations. Its constant F4 aperture also keeps the photos noise-free in challenging conditions.

Thanks to its razor-sharp results, the Sony E 10-18mm f/4 OSS is hands-down one of the best Sony E-mount lenses out there if you want to take your landscape and architectural shots to the next level. It’s also perfect for videos and vlogging thanks to its blur-free results when shooting handheld!

Pros: Lightweight, compact, wide focal length, extremely sharp images, lightning-fast autofocus, blur-free and noise-free even in low-light conditions

Cons: It’s edging on the pricier side (although in my personal opinion, it’s totally worth it)

See the latest price of the Sony 10-18mm f4


Best Wide-Angle Prime Lens #1: Sigma 16mm f/1.4

An excellent lens for night-time, landscape, and event photography & videography

Weight: 405g (14.3 oz.)
Size (WxL): 7.2cm × 9.2cm (2.8in x 3.6in)
Filter diameter: 67mm (2.6in)
Minimum focus distance: 0.25m (0.82 ft)
Maximum magnification ratio: 0.1x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

If you’re looking for a wide-angle lens that is incredibly sharp and performs very well during nighttime, then I highly recommend the Sigma 16mm f/1.4 DC DN. With a maximum aperture of F1.4, this lens works extremely well in low-light conditions — in fact, it’s actually one of the best APS-C lenses for astrophotography because it’s wide enough to capture a large-scale scenery and also keeps the level of aberration and color fringing low. The image quality is truly awesome, especially for its price!

I also found the autofocus on this lens absolutely remarkable: it focuses really well in low-light situations and is also very fast, smooth, and precise. Thanks to that, you can take some great, blur-free videos and beautifully capture everything from majestic landscapes to wild events with this lens. The lens itself is also very sturdy and durable; it is weather-sealed and made to endure difficult outdoor conditions.

Lastly, it’s worth mentioning that the Sigma 16mm f/1.4 also comes with great flare resistance. Even if you shoot directly into the sun; you’ll barely see any flare at all! In case it’s helpful, the 16mm focal length of this lens is the equivalent of 24mm on a full-frame camera.

Pros: Incredible image quality even in low-light conditions, excellent autofocus performance, sturdy build, great value for money

Cons: The autofocus can be a bit noisy at times, there’s no auto/manual focus switch on the lens, and it’s a bit heavy for a prime lens

See the latest price of the Sigma 16mm f/1.4


Best Wide-Angle Prime Lens #2: Laowa 9mm f/2.8

Perfect for majestic landscape, architecture, and low-light photography & videography

Weight: 215g (7.5 oz.)
Size (WxL): 5.3cm × 6cm (2in x 2.3in)
Filter diameter: 49mm (1.9in)
Minimum focus distance: 0.12m (0.39 ft)
Maximum magnification ratio: 0.13x
Autofocus: No
Image stabilization: No
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

The Laowa 9mm f/2.8 Zero-D is the widest wide-angle lens you can find for the Sony A6400, so it’s especially great for traveling and hiking, as you’ll truly be able to capture as much of the scenery in front of you as possible, be it epic landscape or majestic architecture. It’s also perfectly compact so can be easily paired with a gimbal for videography.

What impresses me the most about this lens is that it gives you close-to-zero distortion; straight lines remain perfectly straight all the way to the edge of the shots and your photos will have an impressive edge-to-edge sharpness that most ultra-wide-angle lenses aren’t able to achieve. Other ultra-wide-angle lenses with a similar focal length are also usually much heavier and twice as expensive, or simply don’t offer an aperture as wide as F2.8.

Thanks to the bright aperture on this lens, your photos and videos will turn out amazingly sharp and accurate even in low-light conditions. In fact, this is a great lens for astrophotography as you’ll see very low coma (comatic aberration). This means your night shots will look sharp even at the edges of the frame — although there is some visible vignetting at all apertures.

The Laowa 9mm f/2.8 is a great lens to consider if you want something wider than the Sigma 16mm f/1.4 or more affordable than the Sony 10-18mm f/4. There’s one thing to note though: this lens does not have autofocus; it only allows you to focus manually. To be honest, I don’t find this to be a big obstacle because this lens is so sharp even at F2.8; you only really need to adjust the focus if there’s a great depth of field in your composition.

Pros: Lightweight, compact, close-to-zero distortion, low CA (chromatic aberration), edge-to-edge sharpness even in low-light conditions, wide focal length

Cons: Manual focus only, some visible vignetting, some noticeable flare when pointing towards strong light

See the latest price of the Laowa 9mm f/2.8


Best Portrait Lens #1: Sigma 56mm f/1.4

Razor-sharp results with stunning depth of field and gorgeous bokeh

Weight: 280g (9.9 oz.)
Size (WxL): 6.6cm × 5.9cm (2.6in x 2.3in)
Filter diameter: 55mm (2.1in)
Minimum focus distance: 0.50m (1.64 ft)
Maximum magnification ratio: 0.14x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

The lightweight and compact Sigma 56mm f/1.4 DC DN Contemporary is definitely one of the best lenses for Sony A6400 if you want to take amazingly sharp portraits. When I say sharp, I mean razor-sharp photos from edge to edge. In fact, this lens will give you much sharper results than the Sony E 50mm f/1.8, which is often the recommended portrait lens for Sony E-mount cameras. However, I find the Sigma 56mm f/1.4 to be far superior to its Sony counterpart not just because of its enhanced image quality, but also thanks to its faster aperture and narrower focal length.

The F1.4 aperture on this lens allows it to perform incredibly well in low-light conditions and also gives your photos a greater depth of field. What I love most about this lens, though, is the stunning colors and smooth, creamy bokeh it produces. It also has a very sturdy build, great flare control, and a quick, precise, and quiet autofocus system that works amazingly for both photos and videos.

Although you can notice some vignetting, distortion, and chromatic aberration with this lens, you can easily correct them in-camera or in post-processing if you shoot in RAW. With a full-frame equivalent focal length of 84mm, this small, portable lens is perfect for travel portraits and street photography as well because its long focal length allows you to keep a distance from your subjects, making candid street photos a lot easier to achieve!

Pros: Incredibly sharp results, great performance in low-light, amazing colors, stunning bokeh, low flare/ghosting, lightweight, compact, quick & quiet autofocus

Cons: Not weather-sealed, some chromatic aberration, slight distortion, and mild vignetting

See the latest price of the Sigma 56mm f/1.4


Best Portrait Lens #2: Sony 85mm f/1.8

A fantastic mid-range telephoto lens ideal for smooth bokeh and blurred backgrounds

Weight: 371g (13.1 oz.)
Size (WxL): 7.8cm × 8.2cm (3in x 3.2in)
Filter diameter: 67mm (2.6in)
Minimum focus distance: 0.80m (2.63 ft)
Maximum magnification ratio: 0.13x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

The Sony FE 85mm f/1.8 is a full-frame lens that works perfectly on the Sony A6400, and I highly recommend it if you’re looking to take portraits with very smooth bokeh and blurred backgrounds. While the previously recommended Sigma 56mm f/1.4 already achieves amazing bokeh, the Sony FE 85mm f1.8 is a better choice if you want the background and bokeh in your portraits to be even smoother, blurrier, and more undefined while still maintaining sharpness on the subject.

While this lens doesn’t come with image stabilization, its bright F1.8 aperture will make up for it by allowing you to shoot at faster shutter speeds that won’t result in blurriness. In fact, the thing I love the most about this lens is that the images it produces come out extremely sharp from edge to edge. Paired with the smooth and blurry bokeh, the results are simply breathtaking!

This is also a great lens for street and event photography because the 85mm focal length allows you to discreetly capture subjects from a large distance, and the autofocus is also very fast and silent. The F1.8 aperture will allow you to take stunning photos in low-light conditions as well. Moreover, this lens prides itself on showing no distortion and is also the most affordable 85mm prime lens with autofocus for Sony A6400.

Pros: Breathtaking bokeh effect, extremely sharp images, no distortion, works great in low-light, fast and silent autofocus, lightweight, compact, sturdy build, great price

Cons: Purple fringing at wide apertures

See the latest price of the Sony 85mm f1.8


Best Portrait & Street Lens #1: Sony 35mm f/1.8

A spectacular lens for environmental portraits, motion shots, and low-light photography

Weight: 280g (9.9 oz.)
Size (WxL): 6.5cm × 7.3cm (2.5in x 2.8in)
Filter diameter: 55mm (2.1in)
Minimum focus distance: 0.22m (0.73 ft)
Maximum magnification ratio: 0.24x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

If you prefer taking portraits and street photos that include more of your subject’s surroundings, then I highly recommend the Sony E 35mm f/1.8 OSS. The previously mentioned Sigma 56mm f/1.4 and Sony 85mm f1.8 portrait lenses give you smoother and blurrier bokeh, but if you actually prefer the background of your images to be a bit more defined and are looking to take more environmental portraits, then this wider 35mm lens is a better choice of a portrait and street photography lens for you.

This is not to say that you won’t get absolutely stunning bokeh with this lens — because you will. While it’s harder to get the extremely creamy and smooth bokeh effect that the 56mm and 85mm lenses can easily achieve, this lens will still produce a gorgeous bokeh effect thanks to its bright F1.8 aperture. This feature — along with the lens’ image stabilization system — is also what makes it perform magnificently in low-light conditions. It works great with action and sports photos for the same reasons as well!

The 35mm focal length of this lens also makes it a good option for landscape photos, but do keep in mind that while the central area of the photos is very sharp at f/1.8, the corners are a bit softer until you stop down to around f/5.6. There’s also a bit of vignetting and purple fringing when shooting wide-open until you stop down to around f/4. On the plus side, this lens shows no distortion, has great flare control as well as a quick and silent autofocus!

Pros: Compact, lightweight, excellent in low-light conditions, stunning bokeh, great for motion shots, has image stabilization, quick and quiet autofocus, flare resistance, no distortion, great price

Cons: Not too sharp at the edges (until ~f/5.6), a little bit of vignetting until ~f/4, a bit of purple fringing

See the latest price of the Sony 35mm f/1.8


Best Portrait & Street Lens #2: Sigma 30mm f/1.4

One of the best budget lenses & ideal for extremely sharp environmental portraits

Weight: 265g (9.3 oz.)
Size (WxL): 6.4cm × 7.3cm (2.5in x 2.8in)
Filter diameter: 52mm (2in)
Minimum focus distance: 0.30m (0.98 ft)
Maximum magnification ratio: 0.14x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

The Sigma 30mm f/1.4 DC DN Contemporary is hands down one of the best budget lenses for Sony A6400 and an amazing choice if image sharpness is a priority for you. In fact, this lens is one of the sharpest lenses out there for Sony E-mount cameras and offers even sharper results than the previously mentioned Sony 35mm f/1.8. It’s also a lot more affordable compared to its Sony counterpart, so it’s a great alternative for an environmental portrait and street lens!

Another thing I love about this lens is its wide F1.4 aperture, which allows it to thrive in indoor and low-light environments. The bright aperture also creates the most beautiful bokeh effect, so if you want the creamy and blurred background achieved by the 56mm and 85mm portrait lenses, but would like to include more of the surroundings in your frame and see sharper results overall, then the Sigma 30mm f/1.4 would be a better choice for you than the Sony 35mm f/1.8.

Although this lens is equipped with a fast and quiet autofocus system, the Sony 35mm f/1.8 is slightly quicker and more precise when it comes to focusing. When shooting wide-open, you’ll also notice a bit of vignetting with this lens as well as some slight chromatic aberrations, both of which can be easily fixed in post-processing. Overall, this is the best environmental portrait and street lens to get if you prioritize sharpness, love creamy bokeh, and want to budget.

Pros: One of the sharpest lenses for Sony E-mount cameras, great affordable price, lightweight, compact, creamy & breathtaking bokeh, amazing low-light performance, fast and quiet autofocus

Cons: Slight vignetting and chromatic aberrations when shooting wide-open

See the latest price of the Sigma 30mm f/1.4


Best Travel Telephoto Lens: Sony 70-350mm f/4.5-6.3

Most lightweight high-quality telephoto lens for wildlife, landscapes, and portraits!

Weight: 625g (22.1 oz.)
Size (WxL): 7.7cm × 14.2cm (3in x 5.5in)
Filter diameter: 67mm (2.6in)
Min. focus distance: 1.1-1.5m (3.61-4.93 ft)
Maximum magnification ratio: 0.23x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

Telephoto lenses are ideal for capturing wildlife, but they’re typically also very heavy due to their long focal range. The Sony E 70-350mm F4.5-6.3 G OSS, however, is a great exception: it’s the lightest telephoto lens you can get for the Sony A6400 that also doesn’t compromise on image quality. This makes it the most ideal telephoto lens to travel with as it won’t break your back, has a really wide focal range, and is also extremely versatile — it’s perfect for wildlife, portraits, landscape, sports, street photography, and more!

What I love the most about the Sony 70-350mm f/4.5-6.3 is that it allows you to reach subjects that are very distant from you, such as birds in the sky or animals in a safari. You can also get creative with street photography and landscape photos by zooming in all the way to get unique angles and perspectives that you’d never be able to get with a standard zoom lens! This lens also has amazing distortion control and shows no vignetting.

The built-in image stabilization feature on this lens keeps your photos very sharp even at the 350mm focal length and prevents shaking when shooting handheld. You’ll also get great subject separation as well as a beautiful, creamy bokeh effect, especially when shooting at 350mm. This lens also prides itself on its fast, accurate, and quiet autofocus. Overall, if you’re looking for the best quality telephoto lens that is also lightweight (or as lightweight as it gets for a telephoto lens), look no further than the Sony 70-350mm f/4.5-6.3.

Pros: Lightweight and compact, great sharpness, amazing image quality, creamy bokeh, fast and silent autofocus, has built-in image stabilization, wide focal range, no distortion

Cons: Slow aperture; doesn’t perform the best in low-light conditions

See the latest price of the Sony 70-350mm


Best Super Telephoto Lens: Sony 200-600mm f/5.6-6.3

The highest quality telephoto lens for wildlife photography

Weight: 2115g (74.7 oz.)
Size (WxL): 11.1cm × 31.8cm (4.3in x 12.5in)
Filter diameter: 95mm (3.7in)
Minimum focus distance: 2.4m (7.88 ft)
Maximum magnification ratio: 0.2x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

The Sony FE 200-600mm F5.6-6.3 G OSS is definitely one of the best lenses for Sony A6400 if you plan to do a lot of wildlife photography. The 200-600mm focal range of this lens allows you to capture birds, other animals, and even sports actions happening far away from you with ease. This is super handy because when it comes to wildlife photography, you often times can’t get as close to your subject as you’d like. You can also add the 1.4x or 2.0x teleconverters if you want to reach 840mm or 1200mm!

What I love the most about this lens is that it’s extremely sharp even at 600mm, and even sharper than the Sony 100-400mm f/4.5-5.6 + a 1.4x teleconverter, which is often deemed as a competitor for this lens. Choosing the Sony 200-600mm f/5.6-6.3, though, is a no brainer because not only does it give you a longer focal range, it also costs less and provides you with better image quality.

The Sony 200-600mm f/5.6-6.3 also works really well with a gimbal for videos, has a very fast and precise autofocus, and creates stunningly smooth bokeh. The main downside of this lens is its slow maximum aperture of F5.6-6.3, which can hinder its performance in low-light conditions. Overall though, this telephoto lens is definitely the best one out there for wildlife photography on your Sony A6400.

Pros: Very long focal range, amazingly sharp results, compatible with the 1.4x & 2.0x teleconverters, stunning bokeh, very high image quality, fast and precise autofocus, works well with a gimbal, has built-in image stabilization

Cons: Necessarily large and weighty, slow aperture

See the latest price of the Sony 200-600mm


Best Budget Telephoto Lens: Sony 55-210mm f/4.5-6.3

The most affordable and lightweight telephoto lens for the Sony A6400

Weight: 345g (12.2 oz.)
Size (WxL): 6.4cm × 10.7cm (2.5in x 4.2in)
Filter diameter: 49mm (1.9in)
Min. focus distance: 1m (3.28 ft)
Maximum magnification ratio: 0.225x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

If you want a telephoto lens to help you reach far-away subjects and are happy to compromise on image quality for a lower price, then the Sony E 55-210mm F4.5-6.3 OSS is the best option for you. This lens costs significantly less than the previously recommended Sony 70-350mm f/4.5-6.3 and Sony 200-600mm f/5.6-6.3. However, you’re getting what you paid for, so expect a lot lower image quality compared to the other two lenses.

While sharpness at the center with this lens is really great, the edges are definitely softer. You’ll also get some chromatic aberrations and vignetting, but they can be easily fixed in post-processing (or via in-camera corrections if you shoot in JPEG). On the plus side, the built-in image stabilization feature of this lens allows you to capture blur-free and smooth wildlife, landscape, sports photos/videos.

Another thing I love about this lens is that it’s also incredibly lightweight for a telephoto lens, so it’s very convenient to carry around and travel with! The autofocus is also very fast, accurate, and quiet. You won’t notice any distortion in the results, and color fringing is also very low.

Pros: Very lightweight, really good price, central sharpness, fast and silent autofocus, built-in image stabilization, no distortion, low color fringing

Cons: Lower image quality compared to the other recommended telephoto lenses, not very sharp at the edges, slight chromatic aberrations and vignetting

See the latest price of the Sony 55-210mm


Best Macro Lens #1: Sony 30mm f/3.5

The most affordable and lightweight macro lens for the Sony A6400

Weight: 138g (4.8 oz.)
Size (WxL): 5.5cm × 6cm (2.2in x 2.4in)
Filter diameter: 49mm (1.9in)
Min. focus distance: 0.095m (0.32 ft)
Maximum magnification ratio: 1.0x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

If you plan on taking lots of detailed close-up shots, then I highly recommend getting a macro lens. Currently, the Sony E 30mm F3.5 is the most lightweight, compact, and affordable macro lens for the Sony A6400, and it has great central sharpness, no distortion, flare resistance, and the necessary macro 1:1 magnification (meaning the size of the subject you’re focusing on is the same as the image sensor size in the camera).

This lens also comes with a fast and silent autofocus system, which is especially important if you’re looking to capture bugs/insects and don’t want to scare them away. Do keep in mind that this lens doesn’t have built-in image stabilization though, so doing handheld low-light photography might be a bit tricky as you will need to shoot at faster shutter speeds to avoid camera shake.

Another thing to keep in mind is that when shooting with this lens, you will also need to be quite close to your subject of focus in order to get 1:1 magnification because the minimum focusing distance of this lens is 0.095m (0.32ft), and its focal length is only 30mm. With that said, you will see some truly beautiful results with this lens as it is very sharp and creates stunning bokeh. So if you want to get the best budget macro lens, look no further than this one.

Pros: Lightweight, compact, great price, central sharpness, 1:1 magnification, no distortion, flare & ghosting resistance, fast and silent autofocus, gorgeous bokeh

Cons: Softer on the edges, long minimum focus distance, no image stabilization

See the latest price of the Sony 30mm f/3.5


Best Macro Lens #2: Sigma 70mm f/2.8

An affordable lens with impeccable image quality and extremely sharp results

Weight: 570g (20.1 oz.)
Size (WxL): 7cm × 13.2cm (2.8in x 5.2in)
Filter diameter: 49mm (1.9in)
Min. focus distance: 0.25m (0.82 ft)
Maximum magnification ratio: 1.0x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

If you want a macro lens with a longer focal length than 30mm, then the Sigma 70mm F2.8 DG is an amazing option. Though it’s more expensive than the Sony 30mm f/3.5, it also produces sharper results. In fact, this lens is extremely sharp throughout the entire aperture range, both at the center and the edges. The bokeh you’ll get is also beautifully creamy and smooth. It’s truly the lens to go with if you’re looking to do some artistic macro shots!

This lens also controls chromatic aberration really well, has no distortions, is resistant to flare (even when pointed directly at the sun), and of course, has the necessary 1:1 magnification. The autofocus is very quiet but isn’t the fastest, especially in dim lighting. However, I rarely even find myself using it — you’ll probably be shooting in manual most of the time anyway, and the focus limiter will also help the lens focus faster. The only thing you’ll probably have trouble with is trying to capture fast-moving insects.

Overall, this lens gives impeccable image quality and I especially love the stunning colors it produces. For the affordable price, going with this lens is really a no-brainer as it performs spectacularly in almost any situation. If you prefer a macro lens with image stabilization though (which this lens doesn’t have), I recommend checking out the more expensive Sony 90mm f/2.8 below.

Pros: Impeccably sharp, extraordinary image quality, quiet autofocus, smooth & creamy bokeh, no chromatic aberrations, great flare resistance, no distortions, 1:1 magnification, great price

Cons: Autofocus isn’t the fastest, no image stabilization

See the latest price of the Sigma 70mm f/2.8


Best Macro + Portrait Lens: Sony 90mm f/2.8

A very versatile macro lens that takes incredibly sharp portraits as well

Weight: 602g (21.3 oz.)
Size (WxL): 7.9cm × 13cm (3.1in x 5.1in)
Filter diameter: 62mm (2.4in)
Min. focus distance: 0.28m (0.92 ft)
Maximum magnification ratio: 1.0x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

The Sony FE 90mm F2.8 Macro G OSS is the ultimate lens to get if you’re serious about macro photography and want to get the best possible results because in terms of image quality, performance, and ease of use, it doesn’t get better than this. In fact, this lens is one of the sharpest Sony lenses out there. It’s sharp at all apertures and is great for portraits, up-close sports, landscapes, and architecture as well. For this reason, this lens is on the pricier side, but if you’d like a versatile macro lens that’s also suitable for portraits and other kinds of photography, then it’s completely worth the money.

One of the biggest advantages of this lens is that its 90mm focal length and 0.28m (0.92ft) minimum focus distance allow you to shoot from a reasonable distance from your subjects, so you don’t have to worry about casting any shadows or scaring insects away. Unlike the previous two macro lenses mentioned in this guide, the Sony 90mm f/2.8 also has built-in image stabilization, which will help you take much sharper photos when shooting handheld in low-light conditions (at slower shutter speeds).

This lens also has amazing flare and ghosting control, low distortion, low chromatic aberration, beautifully smooth bokeh, and a sturdy build that’s moisture and dust resistant. If you’re looking for a high-quality lens that not only takes sharp macro shots but can also produce detailed portraits, then look no further than the Sony 90mm f/2.8.

Pros: One of the sharpest Sony lenses, very good for other kinds of photography too (not just macro), 1:1 magnification, image stabilization, great shooting distance from subjects, low distortion/chromatic aberration, creamy bokeh, sturdy and durable build

Cons: Higher price, but worth it if you prioritize image quality, performance, and versatility

See the latest price of the Sony 90mm f/2.8


Best Pancake Lens: Sony 20mm f/2.8

The most lightweight and compact multipurpose travel lens for the Sony A6400

Weight: 69g (2.4 oz.)
Size (WxL): 2cm × 6.3cm (0.8in x 2.5in)
Filter diameter: 49mm (1.9in)
Min. focus distance: 0.2m (0.66 ft)
Maximum magnification ratio: 0.12x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

The Sony E 20mm F2.8 is definitely one of the best lenses for Sony A6400 if you’re looking for an extremely lightweight and compact pancake lens. In fact, this lens weighs only 69g (2.4 oz.), so together with the Sony A6400, this combination will feel as light as a point-and-shoot camera! This lens is therefore perfect to take with you while you’re traveling to dream destinations around the world. It’s also a great incognito lens for street photography thanks to its small size and wide 20mm focal length!

Another thing I love about this small lens is that it’s suitable for a lot of different styles of photography (such as landscape, street, and events) and is great for everyday shots. The autofocus is fast and the results are also really sharp, especially in the center. However, there is a bit of distortion when shooting in RAW. Chromatic aberrations and vignetting are fairly visible at the edges as well.

With a wide aperture of F2.8, this lens also performs well in dim lighting. It’s very resistant to flare/ghosting and comes with a lens hood that protects the front element from dust and rain. Overall, the Sony E 20mm F2.8 gives you great value for your money as it’s affordable, versatile, and extremely compact and portable.

Pros: Extremely lightweight, very compact, sharpness, low-light performance, versatile/suitable for a variety of situations, fast autofocus, low distortion, flare resistance, affordable

Cons: Some chromatic aberrations, vignetting, and distortion

See the latest price of the Sony 20mm f/2.8


Best Fisheye Lens: Rokinon 8mm f/2.8

Ideal for fun, creative everyday photography and a great value for your money

Weight: 290g (10.2 oz.)
Size (WxL): 6.3cm × 5.8cm (2.5in x 2.3in)
Filter diameter: None
Min. focus distance: 0.3m (0.98 ft)
Autofocus: No
Image stabilization: No
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

If you’re looking to get playful and creative with your Sony A6400, then the Rokinon 8mm F2.8 UMC Fisheye II is definitely a great option to explore. This ultra-wide-angle lens uses strong distortion to create visuals from a fish eye’s perspective. It’s suitable for a variety of photography styles (landscape, architecture, events, sports, street, etc.) and also performs well in low-light thanks to its f/2.8 aperture. In fact, many people use this lens for astrophotography!

The Rokinon 8mm f/2.8 is also affordable without compromising on image quality. In fact, I love the edge-to-edge sharpness of the photos taken with this lens. There’s also only minimal chromatic aberration in the results, which is something that many wide-angle lenses can’t achieve. This lens is also small, lightweight, and comes with amazing color rendition. Overall, it’s truly a great value for your money if you want to take some fun and unique photos!

One downside of this lens is that it doesn’t come with autofocus, so you’ll have to be comfortable with focusing manually (if you’ve never done this before, it’s honestly very easy to learn). Due to the shape of this lens, it’s also not compatible with any filters (you will see black corners in your photos if you use them). Additionally, you’ll get lens flare if you point this lens towards a light source, but you can also easily use this to your advantage by creatively composing the flare into your shot!

Pros: Versatile, lightweight, compact, affordable, performs well in low-light, edge-to-edge sharpness, minimal chromatic aberration, great color rendition

Cons: No autofocus, not compatible with filters, lens flare

See the latest price of the Rokinon 8mm f2.8


Best All-In-One Lens: Sony 18-135mm f/3.5-5.6

Perfect for travel; minimize switching between several different lenses

Weight: 325g (11.5 oz.)
Size (WxL): 6.7cm × 8.8cm (2.6in x 3.4in)
Filter diameter: 55mm (2.1in)
Min. focus distance: 0.45m (1.48 ft)
Maximum magnification ratio: 0.29x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

🛒 Buy now from Amazon

Detailed Review

If you’re looking for a versatile everyday lens with a wide focal range, then I highly recommend checking out the Sony E 18-135mm F3.5-5.6 OSS. Its 18-135mm focal range makes it an amazing lens to travel with because it allows you to minimize switching between several different lenses. It’s also light and compact despite its wide focal range, making it the ideal all-in-one lens to bring on your hikes, trips, or simple everyday adventures.

Another thing I love about this lens is its fantastic image quality. There’s excellent central sharpness even at the longest focal lengths, and especially at wider apertures. There’s also low central chromatic aberration (especially at 18mm) and great flare control. The bokeh is smooth and beautiful, distortion is low, the colors are radiant and stunning, and the autofocus is both quiet and fast. This lens also comes with image stabilization to help you get sharp photos even when shooting handheld in low-light conditions.

One of the downsides of the Sony 18-135mm f/3.5-5.6 is that it’s not weather-sealed, so you’ll need to be careful when shooting in the rain or snow. You’ll also notice some chromatic aberrations on the edges. In addition, at 135mm, you’ll notice some softness on the edges too.

Pros: Wide focal range, compact, lightweight, excellent central sharpness, low central chromatic aberration, good flare control, stunning bokeh, low distortion, fast and silent autofocus, image stabilization, radiant colors

Cons: Not weather-sealed, chromatic aberrations at edges, edge softness at 135mm

See the latest price of the Sony 18-135mm


I hope this comprehensive guide on the best lenses for Sony A6400 has been helpful! You can also check out my other photography tips or my travel destination guides!

Pin for Later

No Comments

Leave a Reply

Welcome to my travel blog!

I'm Jiayi, a Chinese-Italian photographer and writer who has no idea where to call home. What I do know is I'm most in my element when I'm in a new country, immersed in a new culture. To me, it's one of the most humbling, educational, and valuable experiences one can have! I've lived in 5 continents, visited 60 countries, and plan to never stop. I hope my detailed guides and itineraries will be useful in helping you plan your next big trip! Make sure to subscribe if you don't want to miss my new articles. Happy travels! :)

x Jiayi

Latest Posts

Want My Top 9 Travel Photography Tips?

Subscribe to this blog to get my FREE Instagram Travel Photography Mini Guide!

Privacy Policy

I won't send you spam.
Unsubscribe at any time.

×