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The Best Sony A6400 Lenses in 2021: The Ultimate Guide + Reviews

March 29, 2021

If you’re looking for the best lenses for Sony A6400 but aren’t sure where to start, I’ve put together this detailed guide to help you find the most suitable lenses for you.

Why should you trust me, though? I’m a professional photographer and have shot with a variety of cameras and lenses throughout the years. The top tips in this guide are drawn from my 15+ years of photography expertise as well as meticulous research.

The Sony A6400 mirrorless camera uses the Sony E-mount and has an APS-C sensor, which means that any lens with a Sony or third-party E-mount is compatible with this camera. In this guide, you’ll find a variety of lenses suited for all kinds of photography niches, including portrait, macro, telephoto, and wide-angle. So without further ado, here are the best Sony A6400 lenses in 2021.

Sony Lenses On A Table

📸 Note: All the lenses in this guide come with either a Sony or third-party E-mount, so they’re suitable for all Sony mirrorless APS-C cameras (not just the Sony A6400) as well as all Sony mirrorless full-frame cameras such as the Sony a7 and a9 series. Simply use the full-frame camera in APS-C mode (AKA crop mode) to avoid vignetting.

Disclosure: This article contains affiliate links. If you make a purchase after clicking one of these links, I earn a small commission at no extra cost to you. You can learn more about this in my disclosure policy.

The Best Lenses for Sony A6400 in 2021 (Top 10)

 PRODUCTLENS TYPEIDEAL FOR 
Tamron 17-70mm
F2.8

Top overall lens
Standard
zoom
$$
Everyday,
landscapes,
videos,
low-light

Sony 18-135mm
F3.5-5.6

⚙️ Top zoom lens
Superzoom
$$
Everyday,
landscapes,
wildlife

Sony 18-105mm F4
🎥 Top video lens
Mid-range
zoom
$$
Everyday,
landscapes,
videos

Sony E 50mm F1.8
👩🏻 Top portrait lens
Prime
$
Portraits,
street,
low-light

Sigma 30mm F1.4
💸 Top budget lens
Prime
$
Portraits,
everyday,
low-light

Sony 10-18mm F4
🏞 Top wide-angle
zoom lens
Wide-angle
zoom
$$$
Landscapes,
architecture,
videos

Sigma 16mm F1.4
🏞 Top wide-angle
prime lens
Wide-angle
prime
$
Landscapes,
architecture,
low-light

Sony 70-350mm
F4.5-6.3

🦉 Top wildlife lens
Telephoto
$$$
Wildlife,
sports,
events

Sony 30mm F3.5
🌸 Top macro lens
Macro
$
Close-ups,
flowers,
everyday

Sony 90mm F2.8
⚔️ The sharpest lens
Macro
$$$
Close-ups,
portraits,
low-light

Top 10 Best Sony A6400 Lenses: A Quick Overview

This guide covers a lot of lenses, so here’s a quick summary of my top 10 picks. You can click on the links to jump straight to the detailed review section of each lens to learn more about it.

⭐️ Best All-Around Lens: Tamron 17-70mm F2.8 ⭐️

The best value standard zoom lens that you can get for any Sony APS-C mirrorless

Weight: 525 g (18.5 oz.)
Size (WxL): 7.4 x 11.9 cm (2.9 x 4.6 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 0.19 m (0.62 ft)
Maximum magnification ratio: 0.2x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

🛒 See price on Amazon

A closer look:
📸 What makes it the overall best lens for Sony A6400:

The Tamron 17-70mm f/2.8 Di III-A VC RXD is an incredibly versatile everyday zoom lens that offers spectacular value for money. Its large zoom range makes it suitable for a wide variety of things, including portraits, landscapes, events, and street shots. It can even dabble in some macro, too! Given its fast f/2.8 aperture, it’s also a wonderful upgrade from the regular Sony A6400 kit lens.

This lens delivers outstanding image quality. Even when shooting wide open, it is beautifully sharp throughout the frame. Autofocus is very fast, accurate, and silent. The best part about this lens, though, is the built-in image stabilization and fixed f/2.8 aperture. These features make it fantastic for videos, bokeh, and low-light conditions. Though this is not a specialized macro lens, it focuses very closely, so it’s quite useful for detailed close-ups too.

On the downside, there are no physical controls on this lens for stabilization or focus modes, so you’ll have to change them through the menu system in your camera. You’ll also see some barrel distortion, although this can be easily fixed on Adobe Lightroom. This lens shows strong onion ring bokeh, which isn’t for everyone. Overall, though, given its great price, there’s really no standard zoom Sony APS-C lens that offers better value for money.

Pros
  • Outstanding image quality
  • Versatile & multi-purposeful
  • Edge-to-edge sharpness even wide-open
  • Excellent low-light performance
  • Built-in image stabilization
  • Super fast, accurate & quiet autofocus
  • Close minimum focusing distance
  • Weather-sealed & dust-resistant
  • Fantastic value for money
Cons
  • No physical controls for stabilization or focus modes
  • Visible barrel distortion
  • Strong onion ring bokeh

📸 In short, this lens is for you if: you want a versatile general-purpose zoom lens that offers fantastic image quality, great low-light performance, and good video capability.

🛒 Check latest price on Amazon


📸 Best Everyday Zoom Lenses for Sony A6400

While the Tamron 17-70mm f/2.8 is the top pick, there are many other great zoom lenses out there. Here are some more excellent general-purpose Sony A6400 zoom lenses.

💎 Best Premium Zoom Lens: Sony 16-55mm F2.8

The best standard zoom lens for the utmost image quality — ideal for professionals

Weight: 494 g (17.4 oz.)
Size (WxL): 7.3 x 10 cm (2.8 x 3.9 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 0.33 m (1.1 ft)
Maximum magnification ratio: 0.2x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Sony E 16-55mm f/2.8 G is the best lens for you if you’re after the ultimate image quality. In fact, while it’s much more expensive than the previously mentioned Tamron 17-70mm f/2.8, this lens is a better choice for professionals and serious amateurs. Compared to the Tamron lens, it’s also 1mm longer on the wide-angle side and has more physical controls.

Amateurs probably won’t notice much difference in image quality between this Sony lens and the Tamron 17-70mm f/2.8, but professionals might benefit from this Sony lens more as it prevents aberrations, reflections, flares, and ghosting — all of which are advantages over the Tamron lens, which is more prone to distortions and ghosting in comparison. With this premium Sony lens, you’ll truly get outstandingly sharp results and top-notch image quality throughout the zoom range.

Bokeh on this lens is incredibly smooth, whereas the Tamron 17-70mm f/2.8 suffers from strong onion ring bokeh. Again, if you’re an amateur, this probably wouldn’t matter, but professionals might care about this distinction. Autofocus on this Sony lens is fast, quiet, and precise. Its fixed f/2.8 aperture also helps deliver sharp and noise-free images even in low-light conditions.

On the downside, unlike the Tamron lens, the Sony E 16-55mm f/2.8 G lacks image stabilization, so if you’re planning to shoot videos, you’ll probably want to pair it with a gimbal to get smooth results. The Tamron 17-70mm f/2.8 is also better for macro & portrait shots.

Pros
  • The ultimate image quality
  • Very sharp throughout the focal range
  • Excellent low-light performance
  • Super smooth bokeh
  • Fast, accurate & quiet autofocus
  • Minimal distortions & aberrations
  • Prevents flares & ghosting
  • Sturdy weather-sealed build
Cons
  • No image stabilization
  • Pretty expensive

📸 In short, this lens is for you if: you want the utmost image quality & professional-level results and are willing to spend money for it.

🛒 Check latest price on Amazon


🎈 Best “Do-It-All” Lens: Sony 18-135mm F3.5-5.6

A highly versatile & lightweight general-purpose lens that’s good for just about anything

Weight: 325 g (11.5 oz.)
Size (WxL): 6.7 x 8.8 cm (2.6 x 3.4 in)
Filter diameter: 55 mm (2.1 in)
Minimum focus distance: 0.45 m (1.48 ft)
Maximum magnification ratio: 0.29x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Sony E 18-135mm F3.5-5.6 OSS is a highly versatile lens that can shoot just about anything — from landscapes to wildlife, and even some close-ups too. Despite its very generous focal range, this lens is also super light and easy to carry everywhere. This truly makes it one of the best value zoom lenses for the Sony A6400; instead of switching between different lenses, you can just use this one compact all-in-one lens to do it all.

This lens delivers outstanding image quality. Central sharpness is excellent even when shooting wide-open at 135mm. Distortions and vignetting are minimal, and autofocus is very fast, accurate, and silent. This lens also comes with built-in image stabilization, so you can get sharp and blur-free shots even when shooting handheld at slower shutter speeds. Thanks to its close focusing distance and 0.29x magnification ratio, this lens can also be used for casual macro shots.

On the downside, this lens is not weather-sealed. You’ll also notice some edge softness at 135mm. In addition, its narrow aperture doesn’t make it the best lens for bokeh or low-light photography. In fact, when shooting in dim lighting, you might need to use noise-inducing ISO settings.

Pros
  • Very versatile & multi-purposeful
  • Excellent central sharpness
  • Built-in image stabilization
  • Fast, accurate & silent autofocus
  • Low distortion & vignetting
  • Good for close-up shots too
  • Super small & lightweight
  • Fantastic value for money
Cons
  • Not the best for low-light conditions
  • Not weather-sealed
  • Edge softness at 135mm

📸 In short, this lens is for you if: you want a high-quality lens that can shoot just about anything so that you don’t have to keep switching between different lenses.

🛒 Check latest price on Amazon


🎥 Best Zoom Lens for Videos: Sony 18-105mm F4

A versatile “do-it-all” lens that’s especially suitable for everyday videos & vlogging

Weight: 427 g (15.1 oz.)
Size (WxL): 7.8 x 11 cm (3 x 4.3 in)
Filter diameter: 72 mm (2.8 in)
Minimum focus distance: 0.45 m (1.48 ft)
Maximum magnification ratio: 0.11x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Sony E PZ 18-105mm f/4 G OSS is another “do-it-all” lens that in all honesty, can’t match up to the previously mentioned Sony 18-135mm f/3.5-5.6 in terms of sharpness and portability. However, it still delivers decently good image quality and more importantly, is a fantastic lens for videos. It’s got a big focal range, built-in image stabilization, and unlike the Sony 18-135mm f/3.5-5.6 — a fixed aperture which comes in very handy for videos.

This lens’s large focal range makes it suitable for a wide variety of videos. At the shorter end, 18mm is perfect for vlogs, and at the longer end, 105mm is amazing for close-ups with smooth bokeh. Moreover, the fixed f/4 aperture allows the exposure level of your videos to stay constant as you zoom in and out — making the transitions look very smooth and natural.

This lens is also equipped with image stabilization, which prevents blurs and shakes when you’re shooting handheld videos. On the downside, sharpness is a bit lacking at the edges of the frame, and there’s also visible pincushion distortion (straight lines bending inward). This lens is also quite bulky and not weather-sealed.

Pros
  • Very versatile focal range
  • Fixed f/4 aperture
  • Excellent vlogging lens
  • Great central sharpness
  • Built-in image stabilization
  • Fast & accurate autofocus
  • Sturdy build quality
  • Smooth bokeh on the telephoto end
Cons
  • Edge sharpness is a bit weak
  • Visible pincushion distortion
  • Big & bulky

📸 In short, this lens is for you if: you plan to shoot more videos than photos, and want a large focal range suitable for a variety of videos. (If you’re mostly going to shoot stills, the Sony 18-135mm f/3.5-5.6 will deliver much better overall image quality.)

🛒 Check latest price on Amazon


👧🏻 Best Portrait Lenses for Sony A6400

To take the best portraits on an APS-C camera like the Sony A6400, look for a prime lens with a focal length of 50mm or longer. Prime lenses have very fast apertures, which allow you to achieve sharp subject-background separation through shallow depths of field and stunning bokeh.

You can also go for a 30mm or 35mm prime lens if you want to take wider shots such as environmental portraits or do some street photography. These focal lengths are also great for casual everyday shots and are more versatile compared to the longer 50mm+ prime lenses.

Here are the best Sony A6400 prime lenses for portraits.

👧🏻 The Best Value Portrait Lens: Sony E 50mm F1.8

Super light, affordable & offers everything you could possibly need in a portrait lens

Weight: 202 g (7.2 oz.)
Size (WxL): 6.2 x 6.2 cm (2.4 x 2.4 in)
Filter diameter: 49 mm (1.9 in)
Minimum focus distance: 0.39 m (1.28 ft)
Maximum magnification ratio: 0.16x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Sony E 50mm f/1.8 OSS is a super light and affordable prime lens that offers everything you could possibly need for taking stunning portraits. It packs incredible value into its low price tag and has very few flaws. It is hands down one of the best Sony A6400 portrait lenses you can invest in.

Even when shooting at f/1.8, this lens is sharp, especially in the center of the frame. It also focuses quickly and silently. There’s practically no distortion, and the fast f/1.8 aperture allows for beautifully smooth bokeh. This lens also comes with image stabilization, which makes it very useful in low-light situations as it’ll allow you to shoot handheld at slower shutter speeds without seeing blurs. Stabilization will also help you shoot smooth handheld videos.

On the downside, this lens isn’t weather-sealed, and at fast apertures, there are some chromatic aberrations at the edges of the frame. You can remove chromatic aberrations in just a few clicks on Adobe Lightroom, though. All in all, if you’re looking for an affordable lens with all the important traits needed for stunning portrait shots, then look no further than the Sony E 50mm f/1.8 OSS.

Pros
  • Exceptional value for money
  • Super light & compact
  • Sharp even wide-open
  • Focuses quickly & silently
  • Smooth & creamy bokeh
  • Built-in image stabilization
  • Excellent low-light performance
  • Great for videos too
Cons
  • Not weather-sealed
  • Chromatic aberrations at fast apertures

📸 In short, this lens is for you if: you want a budget-friendly prime lens that gives you all you could ever need for taking stunning portraits.

🛒 Check latest price on Amazon


👧🏻 The Sharpest Portrait Lens: Sigma 56mm F1.4

The best Sony A6400 portrait lens for razor-sharp results & the creamiest bokeh

Weight: 280 g (9.9 oz.)
Size (WxL): 6.6 x 5.9 cm (2.6 x 2.3 in)
Filter diameter: 55 mm (2.1 in)
Minimum focus distance: 0.50 m (1.64 ft)
Maximum magnification ratio: 0.14x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Sigma 56mm f/1.4 DC DN Contemporary is the best portrait lens for you if you’re very picky about sharpness and really want the crispiest and sharpest photos possible (without spending an arm and a leg). In fact, this lens is significantly sharper than the previously mentioned Sony E 50mm f/1.8 OSS and also delivers even creamier bokeh thanks to its faster aperture.

As mentioned before, this lens is razor-sharp from edge to edge, even wide-open at f/1.4. It focuses quickly and silently, and has a premium build quality. The bright f/1.4 aperture allows you to get sharp and blur-free shots in low-light conditions as well, even without image stabilization. For its small size and low price tag, this lens truly offers fantastic value.

On the downside, the lack of image stabilization doesn’t make this the best lens for videos. If you’re planning to shoot videos in addition to stills, then the Sony E 50mm f/1.8 OSS is without a doubt a better option. This lens also isn’t weather-sealed and has visible pincushion distortion (straight lines bending inward). The latter can be easily fixed though (on Lightroom, it’s a one-click-fix).

Pros
  • Sharper than the Sony E 50mm F1.8
  • Super smooth & creamy bokeh
  • Fast, accurate & silent autofocus
  • Premium build quality
  • Super fast f/1.4 aperture
  • Excellent low-light performance
  • Compact & lightweight
  • Budget-friendly
Cons
  • No image stabilization
  • Not weather-sealed

📸 In short, this lens is for you if: you want the sharpest, crispiest portrait shots and the creamiest, smoothest bokeh.

🛒 Check latest price on Amazon


👧🏻 Best Portrait + Everyday Lens: Sigma 30mm F1.4

The most versatile Sony A6400 portrait lens — very budget-friendly with incredible value

Weight: 265 g (9.3 oz.)
Size (WxL): 6.4 x 7.3 cm (2.5 x 2.8 in)
Filter diameter: 52 mm (2 in)
Minimum focus distance: 0.30 m (0.98 ft)
Maximum magnification ratio: 0.14x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Sigma 30mm f/1.4 DC DN Contemporary is the best lens for you if you prefer to have a bit more flexibility with your portrait lens. In fact, this lens’s 30mm field of view is closer to the normal eye level and allows you to capture a lot more of your surroundings than a 50mm lens would. As a result, this versatile portrait lens is also great for general everyday shots and street photography.

This lens delivers spectacular image quality. It is extremely sharp across the frame even at f/1.4, and focuses very quickly and silently even in dim lighting. Its super-fast aperture will allow you to capture sharp, noise-free, and blur-free shots even in low-light situations. On top of that, bokeh is super creamy and beautiful. Given that this lens is also very budget-friendly and compact, it truly is one of the best value portrait lenses for any Sony APS-C mirrorless.

On the downside, this lens lacks image stabilization, so it’s not ideal for videos. It also isn’t weather-sealed, and there’s also some visible barrel distortion and chromatic aberrations. However, both of those things can be easily corrected in post-processing via Lightroom.

Pros
  • Extremely sharp even wide-open
  • Very fast & silent autofocus
  • Excellent low-light performance
  • Very creamy & smooth bokeh
  • Great for general everyday shots too
  • Sturdy & durable build quality
  • Lightweight & compact
  • Very budget-friendly
  • Spectacular value for money
Cons
  • Lacks image stabilization
  • Not weather-sealed
  • Some chromatic aberrations

📸 In short, this lens is for you if: you want a top-notch portrait lens that’s also useful for general everyday shots.

🛒 Check latest price on Amazon


👧🏻 Best Close-Up Portrait Lens: Sony 85mm F1.8

A top-value mid-range telephoto lens perfect for headshots, events, sports & bokeh

Weight: 371 g (13.1 oz.)
Size (WxL): 7.8 x 8.2 cm (3 x 3.2 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 0.80 m (2.63 ft)
Maximum magnification ratio: 0.13x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Sony FE 85mm f/1.8 is a full-frame lens that works perfectly well on the Sony A6400. When mounted on the Sony A6400 or any other APS-C camera, its field of view is equivalent to a 130mm full-frame focal length, which makes this lens perfect for close-up portraits and headshots. This mid-range telephoto lens is also very useful for events, sports, and discreet street photography as it allows you to capture subjects from a large distance.

In terms of optics and performance, this lens offers exceptional value for money. It’s extremely sharp edge-to-edge at every aperture. It’s also distortion-free and has great flare/ghost control. Autofocus is not only fast and reliable but also completely silent. Bokeh is incredibly smooth and creamy; in fact, this is the ultimate A6400 portrait lens for bokeh thanks to its super long focal length and f/1.8 aperture.

Despite the lack of image stabilization, this lens demonstrates fantastic low-light performance thanks to its bright aperture. On top of that, for a lens of its kind, it’s also relatively small, lightweight, and inexpensive. In fact, it is the most affordable 85mm prime lens with autofocus for the Sony A6400. The only downside is that there’s strong vignetting at wider apertures, though that’s very easy to fix in post-processing.

Pros
  • 130mm equivalent field of view
  • Ultra-sharp from edge to edge
  • The ultimate portrait lens for bokeh
  • Fantastic low-light performance
  • Very fast, reliable & silent autofocus
  • Great for sports & events too
  • No distortions/flares/ghosts
  • Exceptional value for money
Cons
  • Lacks image stabilization
  • Strong vignetting at wide apertures

📸 In short, this lens is for you if: you want a telephoto portrait lens to shoot close-ups, events, sports, performances, and other situations where the subject is far away.

🛒 Check latest price on Amazon

🔮 If you’re planning to shoot portraits and lots of detailed close-ups, check out my review for the Sony FE 90mm F2.8 Macro G OSS. It’s a specialized macro lens that also doubles as an incredibly sharp portrait lens.

🏞 Best Wide Angle Lenses for Sony A6400

If you want to shoot majestic landscapes and grandiose architecture, then I highly recommend getting a wide-angle lens. An APS-C wide-angle lens has a maximum focal length of 24mm and allows you to capture details closer to you — creating epic, majestic-looking shots.

Wide-angle lenses can also be used in other everyday situations if you simply want to capture more of your close surroundings. Here are the best Sony A6400 wide angle lenses, including prime and zoom lenses.

🏞 Best Value Wide-Angle Lens: Sigma 16mm F1.4

A budget-friendly lens that delivers premium-quality performance — even in low light

Weight: 405 g (14.3 oz.)
Size (WxL): 7.2 x 9.2 cm (2.8 x 3.6 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 0.25 m (0.82 ft)
Maximum magnification ratio: 0.1x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Sigma 16mm f/1.4 DC DN Contemporary is an extremely sharp wide-angle prime lens that can tackle a variety of low-light situations thanks to its fast aperture. It’s very budget-friendly, and yet, delivers premium image quality and truly offers spectacular value for money. On top of that, its build quality is very sturdy, weather-sealed, and made to endure difficult conditions.

This lens is outstandingly sharp edge-to-edge, even when shooting wide-open at f/1.4, which is truly impressive. Autofocus performance is superb as well; it grabs focus impressively fast in both bright and dim lighting conditions and tracks moving subjects very easily. This fast-aperture lens is also fantastic for bokeh, providing you shoot subjects from a close distance of course. Distortions and flares are also very low and barely noticeable.

On the downside, there’s no image stabilization, but to be honest, the bright f/1.4 aperture takes away the need for it as it’ll allow you to get sharp and blur-free handheld shots in low light even without stabilization. For handheld videos, though, I recommend using a gimbal stabilizer. Overall, it’s truly hard to find a better wide-angle lens at this price point.

Pros
  • Outstandingly sharp even wide-open
  • Excellent low-light performance
  • Low flares & distortions
  • Fast & accurate autofocus
  • Very bright aperture
  • Stunning bokeh
  • Sturdy & weather-sealed
  • Fantastic value for money
Cons
  • No image stabilization
  • No auto/manual focus switch

📸 In short, this lens is for you if: you want an incredibly sharp wide-angle prime lens that offers stunning bokeh and great low-light performance.

🛒 Check latest price on Amazon


🏞 Best Wide-Angle Zoom Lens: Sony 10-18mm F4

A very travel-friendly ultra-wide zoom that packs incredible value in a tiny package

Weight: 225 g (7.9 oz.)
Size (WxL): 6.4 x 7 cm (2.5 x 2.7 in)
Filter diameter: 62 mm (2.4 in)
Minimum focus distance: 0.25 m (0.82 ft)
Maximum magnification ratio: 0.1x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Sony E 10-18mm f/4 OSS is an ultra-wide-angle zoom that packs incredible performance and strong optics all in one tiny, lightweight lens. It’s the widest wide-angle zoom lens you can get for the Sony A6400, and it’s an amazing gear to travel with. Given its useful focal range and compact build, it’s perfect to bring on any hiking and backpacking trip.

This lens delivers excellent sharpness even when shooting wide-open at f/4. Both chromatic aberrations and distortions are well-controlled. In addition, its fixed f/4 aperture and built-in image stabilization allow this lens to perform quite well in low-light conditions too. It’s obviously not the same as having an f/2.8 aperture lens, but you can get some pretty decent dark sky shots with this lens. This stabilized lens also makes vlogs and handheld videos easy to shoot.

On the downside, while this lens focuses quickly under bright lighting conditions, it can struggle to focus accurately in dim lighting conditions or with subjects of low contrast. Given its relatively high price tag, it’s also a shame that this lens isn’t weather-sealed.

Pros
  • Razor-sharp even wide-open
  • Super lightweight & compact
  • Minimal distortions
  • Fixed f/4 aperture
  • Built-in image stabilization
  • Generally good in low light
  • Fast autofocus in bright lighting
  • Good for handheld videos too
Cons
  • Autofocus struggles in low light
  • Not weather-sealed

📸 In short, this lens is for you if: you want a light & travel-friendly wide-angle zoom lens that delivers overall fantastic image quality and that works decently in low light too.

🛒 Check latest price on Amazon


🏞 Top Ultra-Wide Angle Lens: Laowa 9mm F2.8

A very travel-friendly lens that delivers close-to-zero distortion & premium optics

Weight: 215 g (7.5 oz.)
Size (WxL): 5.3 x 6 cm (2 x 2.3 in)
Filter diameter: 49 mm (1.9 in)
Minimum focus distance: 0.12 m (0.39 ft)
Maximum magnification ratio: 0.13x
Autofocus: No
Image stabilization: No
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Laowa 9mm f/2.8 Zero-D is one of the widest wide-angle lenses you can find for the Sony A6400. The most notable thing about it is that it has close-to-zero distortion and delivers a level of performance that’s very rare for lenses this wide. In fact, this lens offers premium-quality optics and build, which for its very reasonable price, is fantastic value for money.

This lens is incredibly sharp edge-to-edge and really shows close-to-zero distortion: straight lines remain perfectly straight all the way to the edges of the frame. This lens is also very useful in low-light conditions. In fact, it’s actually one of the best Sony A6400 astrophotography lenses thanks to its ultra-wide field of view, fast aperture, and great coma control. To top it off, this lens is also impressively small and compact, making it perfect to travel with.

On the downside, this lens lacks autofocus, so you’ll have to get used to focusing manually. There’s also no image stabilization and some visible vignetting at all apertures. Overall, this lens is truly a gem: other ultra-wide-angle lenses with a similar focal length are usually much heavier and twice as expensive, or simply don’t offer an aperture as wide as f/2.8.

Pros
  • Outstanding sharpness
  • Close-to-zero distortions
  • Ultra-wide field of view
  • Fantastic low-light performance
  • Super light & compact
  • Low chromatic aberrations
  • Very sturdy build
  • Fantastic value for money
Cons
  • Manual focus only
  • Some visible vignetting
  • No image stabilization

📸 In short, this lens is for you if: you want an ultra-wide field of view and don’t mind focusing manually.

🛒 Check latest price on Amazon


🏞 Top Medium-Wide Angle Lens: Sony 24mm F1.8

An extremely sharp wide-angle lens that’s great for environmental portraits as well

Weight: 225 g (8 oz.)
Size (WxL): 6.3 x 65 cm (2.4 x 2.5 in)
Filter diameter: 49 mm (1.9 in)
Minimum focus distance: 0.16 m (0.52 ft)
Maximum magnification ratio: 0.25x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

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A closer look:

The Sony Carl Zeiss Sonnar T* E 24mm f/1.8 ZA is a compact and travel-friendly wide-angle lens with a focal length that’s closer to the normal eye level. This makes it very suitable for environmental portraits and street shots in addition to wide landscapes and architecture. This lens is also very useful in low-light conditions thanks to its bright f/1.8 aperture, and image quality is absolutely phenomenal.

Even when shooting wide-open at f/1.8, this lens delivers exceptional sharpness edge-to-edge. It also has really good ghost and flare control, and very low distortion. Normally, wide-angle lenses aren’t the best for bokeh, but because this lens focuses super closely (0.16 m / 0.52 ft), it’s capable of achieving a beautiful shallow depth of field and superb bokeh. This lens also focuses with great speed and accuracy.

On the downside, there’s some vignetting when shooting wide-open, no image stabilization, and no weather-sealing on this lens. This lens also isn’t cheap. However, if you’re looking for a medium-wide-angle lens with exceptional image quality, then it’s hard to find a better choice.

Pros
  • Phenomenal image quality
  • Extremely sharp edge-to-edge
  • Focal length close to eye level
  • Excellent low-light performance
  • Low distortion, ghosts & flares
  • Superb bokeh effects
  • Fast & accurate autofocus
  • Very small & travel-friendly
Cons
  • No image stabilization
  • Not weather-sealed
  • Kind of pricey

📸 In short, this lens is for you if: you want a wide-angle lens with a field of view that’s closer to the normal eye level and you’re a fan of bokeh & shallow depths of field.

🛒 Check latest price on Amazon


💸 Top Budget Wide-Angle Lens: Rokinon 12mm F2.0

An ultra-wide lens that delivers professional results & spectacular low-light performance

Weight: 245 g (8.64 oz.)
Size (WxL): 7.2 x 5.9 cm (2.8 x 2.3 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 0.2 m (0.65 ft)
Maximum magnification ratio: 0.09x
Autofocus: No
Image stabilization: No
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Rokinon 12mm f/2.0 NCS CS (AKA Samyang 12mm f/2.0 — it’s the exact same lens; different in name only) is a budget-friendly wide-angle prime lens that delivers way beyond a budget performance. In fact, this lens gives professional results, spectacular image quality, and very impressive low-light performance. For its low price tag, it truly offers excellent value for money.

This lens has a very sturdy build and is super light and compact. Despite all that, image quality isn’t compromised one bit: this lens is super sharp throughout the frame even wide-open at f/2.0. Distortions are minimal, and the little you see can be easily corrected via Adobe Lightroom. Coma control is also very impressive, which, combined with the fast aperture and ultra-wide field of view, makes this lens fantastic for astrophotography too.

On the downside, this lens lacks autofocus, so you’re limited to focusing manually. Keep in mind, though, that if you’re planning to shoot in really dim lighting, autofocus would be pretty useless in those scenarios anyway, and you’d have to focus manually anyway. In addition, chromatic aberrations are quite visible at the edges of the frame, so they’ll also need to be removed via post-processing (quite easy to do in Lightroom).

Pros
  • Super sharp edge-to-edge
  • Very small & travel-friendly
  • Excellent low-light performance
  • Great for astrophotography too
  • Low distortion & coma
  • Ultra-wide field of view
  • Budget-friendly
  • Solid & sturdy build
Cons
  • Manual focus only
  • Visible chromatic aberrations

📸 In short, this lens is for you if: you want to budget as much as possible for a wide-angle lens without compromising on image quality and performance.

🛒 Check latest price on Amazon


🎥 Best Video Lenses for Sony A6400

There are a couple of things to look for when choosing the best video lens for Sony A6400.

First, look for a lens with a fixed aperture. This will allow the exposure level of your video to stay constant even as you zoom in and out — making these transitions look smooth and natural. You might also want a lens with a wide fixed aperture (f/2.8 or wider) for beautiful bokeh and good low-light performance.

A good Sony A6400 video lens should also have built-in image stabilization. This prevents videos that are shot handheld from coming out shaky or blurry. If your preferred lens doesn’t come with image stabilization, you can pair it with a video stabilizer kit.

If you’re looking for the best vlogging lens for Sony A6400, consider a wide-angle lens (max 24mm focal length) with a minimum focusing distance of around 0.30 m (1 ft) or less so that you can easily stay in focus while talking to the camera.

Here are some of the best Sony A6400 lenses for videos in 2021. You can click on the links to jump to the detailed review section of each lens.

☀️ Best everyday Sony A6400 video lens: Tamron 17-70mm F2.8 Di III-A VC RXD
This sharp lens has a great general-purpose zoom range, image stabilization, and a fixed wide aperture that’s great for bokeh & low light. Its close focusing distance of 0.19 m (0.62 ft) at 17mm also makes it fantastic for vlogs.

🎥 Best Sony A6400 vlogging lens: Sony E 10-18mm F4 OSS
This wide-angle lens has a close focusing distance of 0.25 m (0.82 ft), which is perfect for talking to the camera. You can also showcase more of your surroundings with this lens’s wide field of view. This lens also has image stabilization and a fixed aperture.

🎈 Best “do-it-all” Sony A6400 video lens: Sony E PZ 18-105mm F4 G OSS
This versatile lens’s big focal range is perfect for both close-ups and vlogs. It also has image stabilization and a fixed aperture. Bokeh is great at the longer focal lengths. For its generous focal range, this lens is also pretty lightweight.

💸 Best budget Sony A6400 video lens: Sony E 50mm F1.8 OSS
This lens is affordable, stabilized, and has a fixed wide aperture that’s great for bokeh and low-light videos. Keep in mind that its fixed 50mm focal length is not wide enough for vlogs, though — at least not when you need to talk to the camera.


🦉 Best Telephoto Lenses for Sony A6400

To take close-up shots of wildlife or subjects far away from you, you’ll need a good telephoto lens, which typically has a minimum focal length of 70mm and will allow you to capture subjects from a large distance.

If you want to maximize reach, go for a super-telephoto lens, which typically has a focal length of 300mm or more. Here are the best Sony A6400 telephoto lenses.

🦉 Best Value Tele Lens: Sony 70-350mm F4.5-6.3

A very versatile & compact telephoto lens that delivers outstanding image quality

Weight: 625 g (22.1 oz.)
Size (WxL): 7.7 x 14.2 cm (3 x 5.5 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 1.1 m (3.61 ft)
Maximum magnification ratio: 0.23x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

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A closer look:

The Sony E 70-350mm f/4.5-6.3 G OSS is a very impressive telephoto lens that packs big performance into a small package. In fact, for a lens of its focal range, it’s very lightweight and compact — without compromising one bit on image quality. This lens’s generous focal range also makes it very versatile. In fact, it’s suitable for a variety of things, including sports, wildlife, discreet street shots, and close-up landscapes. It also has some macro capability, too!

This lens is outstandingly sharp edge-to-edge throughout the zoom range, even wide-open. Autofocus is very rapid, and accurate, and essentially silent. It also tracks moving subjects really well, which comes in very handy for wildlife photography. Though this isn’t a fast-aperture lens, bokeh is nice and creamy at the longer end, especially at 350mm.

This lens also has image stabilization, which keeps your handheld shots sharp and blur-free even at 350mm. Ghosts and flares are really well-controlled, and chromatic aberrations are minimal too. On the downside, there’s some pincushion distortion (which you can fix with just one click on Lightroom, though). Because of its dim aperture, this lens is also not the best for low-light situations.

At the end of the day, if you’re looking for a top-notch, versatile telephoto lens that’s also decently lightweight, then look no further than the Sony E 70-350mm f/4.5-6.3 G OSS.

Pros
  • Very versatile focal range
  • Small & light for its focal range
  • Extremely sharp edge-to-edge
  • Quick, accurate & quiet autofocus
  • Built-in image stabilization
  • Has some macro capability too
  • Nice bokeh at 350mm
  • Resistant to ghosts & flares
  • Spectacular value for money
Cons
  • Not the best for low-light situations
  • Some pincushion distortion

📸 In short, this lens is for you if: you want an outstandingly sharp, versatile, and portable telephoto lens that’s useful for a variety of situations.

🛒 Check latest price on Amazon


🦉 Best Budget Tele Lens: Sony 55-210mm F4.5-6.3

The smallest, lightest & most affordable telephoto lens for the Sony A6400

Weight: 345 g (12.2 oz.)
Size (WxL): 6.4 x 10.7 cm (2.5 x 4.2 in)
Filter diameter: 49 mm (1.9 in)
Minimum focus distance: 1 m (3.28 ft)
Maximum magnification ratio: 0.225x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

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A closer look:

The Sony E 55-210mm f/4.5-6.3 OSS is significantly less expensive than the previously mentioned Sony E 70-350mm f/4.5-6.3 G OSS. The catch is that it has very mediocre image quality. With that said, if photography is purely a fun hobby for you and you simply want the most affordable telephoto lens possible, then this is definitely a great option for you.

Let’s start with the positive things: this lens is super light and travel-friendly, especially for a telephoto lens. Autofocus is reasonably fast and silent, and bokeh is reasonably good at 210mm. This lens also comes with image stabilization, which will help you get blur-free handheld shots even at 210mm. Lastly, even though it’s not weather-sealed, build quality is decently solid.

Now let’s talk about image quality. At 55mm f/4.5, this lens is very sharp edge-to-edge. However, sharpness drops significantly once you reach the telephoto zoom range. Between 130mm and 210mm, image quality falls below the minimum standard of what’s considered sharp, and you’d have to stop down to about f/8 to get sharp results, which can be quite limiting.

In addition, there’s also some pincushion distortion as well as a bit of vignetting, though both of these things can be easily fixed with editing software like Adobe Lightroom. This lens is also not great for low-light situations because of its narrow aperture range.

Pros
  • Incredibly budget-friendly
  • Super small & lightweight
  • Built-in image stabilization
  • Reasonably fast autofocus
  • Reasonably good bokeh at 210mm
  • Solid build quality
Cons
  • Very mediocre image quality
  • Not great for low-light situations
  • Not weather-sealed
  • Some distortion & vignetting

📸 In short, this lens is for you if: you want the most affordable & lightest telephoto lens and are happy to sacrifice some image quality to get that.

🛒 Check latest price on Amazon


🌃 Best Low-Light Tele Lens: Tamron 70-180mm F2.8

The best Sony A6400 telephoto lens for low-light conditions & gorgeous bokeh

Weight: 810 g (28.5 oz.)
Size (WxL): 8.1 x 14.9 cm (3.1 x 5.8 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 0.85 m (2.7 ft)
Maximum magnification ratio: 0.21x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Tamron 70-180mm f/2.8 Di III VXD packs incredible quality and performance all in a very reasonable price tag. In fact, it’s hands down the best value fast-aperture telephoto lens you can get for the Sony A6400. This is a full-frame lens, so when mounted on the Sony A6400, you’ll get a 105-270mm full-frame equivalent field of view, which is a great zoom range for a variety of things, such as sports, events, wildlife, and portraits.

If you value bokeh quality and low-light performance, then this is the telephoto lens for you. Its bright aperture will allow you to get high-quality, noise-free shots even in dim lighting conditions. Bokeh is also beautifully smooth thanks to the fixed f/2.8 aperture.

This lens is very sharp in the center of the frame even wide-open, throughout the zoom range. Corner-sharpness is also very impressive, although you’ll see some soft edges at 180mm. Autofocus is very fast, silent, and accurate. Ghosts and flares are very well-controlled, and the sturdy build is resistant to dust and splash.

On the downside, this lens lacks image stabilization. Granted, the fast f/2.8 kind of makes up for it, but if you’re planning to shoot with a very slow shutter speed at 180mm, you might want to use a tripod. If you’re planning to do a lot of low-light work, a tripod would be necessary anyway.

Pros
  • 105-270mm equivalent field of view
  • Very sharp throughout the zoom range
  • Fast f/2.8 aperture
  • Fantastic low-light performance
  • Smooth & creamy bokeh
  • Very quick & accurate autofocus
  • Great for portraits too
  • Good ghosting & flare control
  • Dust & splash resistant
  • Incredible value for money
Cons
  • Lacks image stabilization
  • Soft edges at 180mm

📸 In short, this lens is for you if: you want a fast-aperture telephoto lens so that you can get the best bokeh and high-quality low-light shots.

🛒 Check latest price on Amazon


🦉 Best Super Tele Lens: Sigma 100-400mm F5-6.3 

The best value Sony A6400 lens for wildlife photography & super far away subjects

Weight: 1140 g (40.2 oz.)
Size (WxL): 8.6 x 19.9 cm (3.4 x 7.8 in)
Filter diameter: 67 mm (2.6 in)
Minimum focus distance: 1.12 m (3.6 ft)
Maximum magnification ratio: 0.24x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Sigma 100-400mm f/5-6.3 DG OS HSM is the best option for you if you want a very mighty telephoto reach. In fact, because this is a full-frame lens, when mounted on the Sony A6400, you’ll get a whopping 150-600mm full-frame equivalent field of view. For this reason, this is the ultimate telephoto lens for wildlife. On top of that, it’s also amazing for sports and close-up landscapes.

This lens is very sharp edge-to-edge across the whole zoom range. Under bright lighting conditions, it focuses very quickly and accurately. It also effortlessly tracks fast-moving subjects. Moreover, distortions, flares, color-fringing, and ghosting are all kept at a minimum level. Overall, image quality is nothing short of spectacular, and when you take into account the very generous focal range and reasonable price, there’s truly exceptional value for money here.

This lens is also equipped with image stabilization, so you can get sharp and blur-free handheld shots even at 400mm. On the downside, because of its narrow aperture, this lens doesn’t fare well in dim lighting. Autofocus is quite slow in low light, and your low-light shots are also likely to be grainy. Bokeh generally isn’t the smoothest either, and lastly, there’s no weather-sealing.

Pros
  • Very sharp throughout the zoom range
  • 150-600mm equivalent field of view
  • Lightweight for a super-tele lens
  • Very fast autofocus under bright settings
  • Tracks fast-moving subjects well
  • Built-in image stabilization
  • Good flare & ghosting control
  • Minimal distortions & color-fringing
  • Great price for a super-tele lens
Cons
  • Doesn’t fare well in low light
  • Not weather-sealed
  • Bokeh is a bit defined

📸 In short, this lens is for you if: focal reach is your #1 priority — you want a top value telephoto zoom lens that lets you reach incredibly far (especially useful when shooting wildlife).

🛒 Check latest price on Amazon


🔍 Best Macro Lenses for Sony A6400

Macro lenses are specialized in capturing extremely detailed, close-up shots of small subjects such as insects, flowers, and water droplets. These lenses have a 1:1 magnification ratio, which ensures the subject is depicted on the image sensor in its actual size.

Good macro lenses typically also have a close focusing distance of around 0.30 m (0.98 ft) or less. This will allow you to get extremely sharp and detailed close-ups of microscopic subjects.

To get macro shots of insects and bugs on an APS-C camera like the Sony A6400, consider a lens with a focal length of at least 60mm so that you can shoot from further away — if you get too close to these creatures, you might scare them away.

For medium-sized subjects like flowers, food, or products, any focal length above 30mm would suffice. Here are the best Sony A6400 macro lenses.

🐝 The Best Budget Macro Lens: Sony 30mm F3.5

The smallest, lightest & most affordable macro lens for the Sony A6400

Weight: 138 g (4.8 oz.)
Size (WxL): 5.5 x 6 cm (2.2 x 2.4 in)
Filter diameter: 49 mm (1.9 in)
Minimum focus distance: 0.09 m (0.32 ft)
Maximum magnification ratio: 1.0x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Sony E 30mm f/3.5 Macro is the smallest, lightest, and most affordable macro lens for the Sony A6400. Its field of view is perfectly versatile, making it great not just for detailed close-ups, but also for general everyday shots. With that said, this is not the best lens to shoot insects with, and it’s also not the most ideal macro lens, but if you’re on a tight budget, then look no further.

Overall, this lens delivers impressive image quality. It is extremely sharp at the center of the frame even at f/3.5. The edges are soft, but this shouldn’t matter for macro shots anyway and actually gives you a good depth of field. This lens focuses very fast and silently, and there are no visible distortions or flares. You’ll also get smooth and creamy bokeh since you can focus really up close.

The main downside of this lens is that given its short 30mm focal length and very close minimum focusing distance of 0.09 m (0.32 ft), you’ll need to get very close to the subject you’re shooting in order to get 1:1 magnification. This can lead you to block out light and cast unwanted shadows, and, if you’re shooting insects or bugs, they might get scared by you getting too close and fly away.

This lens is also not a low-light king given its narrow aperture. If you’re looking for a general-purpose prime lens that can tackle low-light situations as well, the Sigma 30mm f/1.4 DC DN is a far better option. Though it’s not a specialized macro lens, it does offer decent close-up capability.

Pros
  • The smallest & lightest macro lens
  • The most budget-friendly macro lens
  • Versatile 30mm field of view
  • Overall impressive image quality
  • Extremely sharp at the center
  • Very fast & silent autofocus
  • No distortions or flares
  • Great bokeh effects
Cons
  • Super close working distance for 1:1 magnification
  • Not great for low-light situations
  • Not weather-sealed
  • Lacks image stabilization

📸 In short, this lens is for you if: you want the lightest & most affordable macro lens and don’t need edge-to-edge sharpness, low-light performance, or the best insect shots.

🛒 Check latest price on Amazon


🐝 The Best Value Macro Lens: Sigma 70mm F2.8

An affordable macro lens that delivers top-notch image quality & low-light performance

Weight: 570 g (20.1 oz.)
Size (WxL): 7 x 13.2 cm (2.8 x 5.2 in)
Filter diameter: 49 mm (1.9 in)
Minimum focus distance: 0.25 m (0.82 ft)
Maximum magnification ratio: 1.0x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Sigma 70mm f/2.8 DG Macro Art is an affordable macro lens that delivers outstanding performance. If you want to take top-notch macro shots without spending a fortune, then this is definitely the best lens to go for. Though this lens is a bit more expensive than the previously mentioned Sony 30mm f/3.5 Macro, it also produces sharper results and is overall a much better lens for detailed close-ups.

This lens offers spectacular value for money. It is razor-sharp edge-to-edge throughout the whole aperture range. It barely shows any distortions, ghosts, or flares, and chromatic aberrations are really well-controlled. Its fast f/2.8 aperture also delivers very smooth bokeh and excellent low-light performance. For a lens of its kind, it’s also decently compact and very reasonably priced.

On the downside, autofocus is a bit slow. This doesn’t matter much if you’re shooting still subjects like flowers or food, but it’s definitely not ideal for shooting fast-moving subjects like insects and bugs because they may fly away before your camera has had a chance to focus. If you’re planning to shoot fast-moving subjects, I recommended going for the Sony FE 90mm f/2.8 Macro instead.

Pros
  • Outstanding image quality
  • Razor-sharp edge-to-edge
  • Excellent low-light performance
  • Smooth & creamy bokeh
  • No distortions or flares
  • Very reasonably priced
  • Lightweight for a lens of its kind
  • Fantastic value for money
Cons
  • Autofocus is a bit slow
  • Not weather-sealed
  • Lacks image stabilization

📸 In short, this lens is for you if: you want a top-notch macro lens with edge-to-edge sharpness & great low-light performance, and don’t plan to shoot many fast-moving subjects.

🛒 Check latest price on Amazon


🐝 The Ultimate Macro Lens: Sony FE 90mm F2.8

An extremely sharp lens that offers everything you could possibly need for macro shots

Weight: 602 g (21.3 oz.)
Size (WxL): 7.9 x 13 cm (3.1 x 5.1 in)
Filter diameter: 62 mm (2.4 in)
Minimum focus distance: 0.28 m (0.92 ft)
Maximum magnification ratio: 1.0x
Autofocus: Yes
Image stabilization: Yes
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Sony FE 90mm f/2.8 Macro G OSS is the ultimate lens to get if you’re serious about macro photography and want the most detailed and sharp results. In fact, this lens is one of the sharpest Sony lenses out there and also doubles as a close-up portrait lens.

This is a full-frame lens, so when mounted on the Sony A6400, you’ll get a 135mm full-frame equivalent field of view, which lets you get super close to your subjects while still keeping a good working distance from them. That’s why this is the best macro lens for microscopic subjects like bugs and insects — you can shoot comfortably from further away and won’t have to risk blocking out light or scaring them away by getting too close.

Moreover, when it comes to image quality, performance, and ease of use, it simply doesn’t get better than this lens. It is flawlessly sharp at all apertures, even wide-open. Bokeh is incredibly smooth and creamy, and autofocus is very fast and accurate. This lens also performs fantastically in low-light situations and shows no distortions, flares, nor ghosts.

This lens is also very user-friendly. To switch between autofocus and manual focus, you just need to push the focus ring out or pull it back in — there’s no need to flip a switch! Unlike the previous two macro lenses mentioned in this guide, this lens also has built-in image stabilization, which makes it great for videos too. Moreover, its sturdy build is resistant to moisture and dust.

The only downside of this lens is that autofocus can be a bit noisy, which might be disruptive when shooting in quiet environments. This lens is also not cheap. However, if you want to have everything you could possibly need for macro photography and more, then look no further than this lens.

Pros
  • One of the sharpest Sony lenses ever
  • 135mm equivalent field of view
  • Fantastic for both macro & portraits
  • Super fast & reliable autofocus
  • Amazing low-light performance
  • Built-in image stabilization
  • Very creamy & smooth bokeh
  • Incredibly user-friendly
  • No distortions/flares/ghosts
  • Moisture-resistant sturdy build
Cons
  • Autofocus can be a bit noisy
  • Not very budget-friendly

📸 In short, this lens is for you if: you want an extremely sharp lens that gives you everything you could possibly need for any kind of macro photography.

🛒 Check latest price on Amazon


🥞 Best Pancake Lens for Sony A6400

Pancake lenses sadly have nothing to do with delicious breakfast carbs or maple syrup. They’re simply incredibly small and lightweight lenses — so light that you’ll barely feel their weight at all. These lenses are great for travel and street photography in particular, especially if you’re a minimalist and prefer packing light.

🥞 Best Pancake Lens: Sony 20mm F2.8

The most lightweight & compact general-purpose lens for the Sony A6400

Weight: 69 g (2.4 oz.)
Size (WxL): 2 x 6.3 cm (0.8 x 2.5 in)
Filter diameter: 49 mm (1.9 in)
Minimum focus distance: 0.2 m (0.66 ft)
Maximum magnification ratio: 0.12x
Autofocus: Yes
Image stabilization: No
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Sony E 20mm f/2.8 is definitely one of the smallest lenses for the Sony A6400 that you can get. In fact, it weighs a mere 69 g (2.4 oz.) and will essentially make your Sony A6400 feel as light as a point-and-shoot. Its wide and versatile focal length is great for a variety of things such as landscapes, architecture, street photography, and general everyday shots. Despite its small size, there’s also little compromise on image quality.

Even though this isn’t the sharpest lens in the world, it still delivers great overall image quality. When shooting wide-open, this lens is sufficiently sharp across the frame. Autofocus is fast and silent, and flares and ghosts are well-controlled. The fast f/2.8 aperture allows you to get sharp and blur-free shots even in low-light conditions. This lens is also relatively affordable.

On the downside, there’s no image stabilization, although even without it, you should still be able to get blur-free shots at slow shutter speeds thanks to the bright f/2.8 aperture. This lens also isn’t dust nor splash resistant, and there’s some slight barrel distortion and vignetting too (both of which can be easily corrected on Lightroom, though).

Pros
  • Extremely small & light
  • Versatile & multipurposeful
  • Good sharpness across the frame
  • Excellent low-light performance
  • Fast & silent autofocus
  • Resistant to ghosts & flares
  • Relatively affordable
Cons
  • No image stabilization
  • Slight distortion & vignetting
  • Not weather-sealed

📸 In short, this lens is for you if: you’re a minimalist and want the smallest and lightest high-quality lens you can find.

🛒 Check latest price on Amazon


🐠 Best Fisheye Lens for Sony A6400

A fisheye lens is an ultra-wide angle lens that helps you create visuals from a fish eye’s perspective using strong distortions. If you’re looking to get creative and want to have some fun with your Sony A6400, then this is a great type of lens to experiment with.

🐠 Best Fisheye Lens: Rokinon 8mm F2.8

A top value wide-angle lens that’s perfect for both fisheye shots & astrophotography

Weight: 290 g (10.2 oz.)
Size (WxL): 6.3 x 5.8 cm (2.5 x 2.3 in)
Filter diameter: None
Minimum focus distance: 0.3 m (0.98 ft)
Autofocus: No
Image stabilization: No
Sample photos: Click here

🛒 See price on Amazon

A closer look:

The Rokinon 8mm f/2.8 UMC Fisheye II (AKA Samyang 8mm f/2.8 — it’s the exact same lens; different in name only) is a small and lightweight lens that delivers great value for money. It’s not only a wonderful everyday fisheye lens, but it’s also fantastic for astrophotography thanks to its ultra-wide focal length, fast f/2.8 aperture, and excellent coma control. This lens is also very affordable and demonstrates great image quality.

This lens is outstandingly sharp even wide-open, especially at the center of the frame. Edge-sharpness is also impressive wide-open. Its f/2.8 aperture allows you to get sharp and noise-free shots even in low-light conditions, and as mentioned before, you can take some amazing Milky Way and starry night sky shots with this lens. The build quality of this lens is also very sturdy.

On the downside, this lens lacks autofocus, so you’re limited to focusing manually. If you’re a beginner, this is very easy to learn, especially on an ultra-wide-angle lens like this one. There are also visible chromatic aberrations towards the edges of the frame. Overall, though, this is a top-value lens to capture fun, creative, and unique shots with your Sony A6400.

Pros
  • Outstandingly sharp across the frame
  • Very small & lightweight
  • Really fast f/2.8 aperture
  • Great for astrophotography too
  • Excellent coma control
  • Sturdy build quality
  • Very budget-friendly
  • Fantastic value for money
Cons
  • Manual focus only
  • Some chromatic aberrations

📸 In short, this lens is for you if: you want to explore your creativity and take more “unusual” shots without spending too much.

🛒 Check latest price on Amazon


Final Thoughts on These Sony A6400 Best Lenses

I hope this Sony A6400 lenses guide was helpful and that you’ve found some great options here. If you have any questions at all, feel free to leave a comment below or shoot me an email at [email protected] I’ll try my best to help you! 🙂


I hope this comprehensive guide on the best lenses for Sony A6400 has been helpful!

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Pin These Best A6400 Lenses for Later

1 Comment

  • Chetan August 11, 2021 at 9:07 pm

    I really liked Tamron as it is a good alrounder. Who needs a Sony 16-55 when you have this? but I still kept my sigma 56mm for portrait shots though.

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